© 2025
.webp?token=2x7iweyoaodhbzyo4g3j89g5zty71tb0j39t9pvf)
Ihor Sniatynchuk is a Ukrainian writer specializing in the genres of mysticism and horror and the author of the short story collection "Beznizhnist", which combines works with diverse atmospheres. In his writing career, Ihor strives to develop literature and organizes a series of literary evenings where authors can read excerpts from their works to an audience. Currently, Ihor is working on a new short story collection that will include both previously published works and new ones that have yet to see the light of day. He shared with Drive Music Media his thoughts on his writing journey, the collection Beznizhnist, his love for Ukrainian literature, and the challenges he has faced during russia’s full-scale invasion of Ukraine.
Interviewer: How and when did your writing journey begin? Why did you choose this field?
Ihor: My writing journey began in my youth when I loved creating plots and imagining "what if" scenarios. I started writing my first stories when I felt my ideas "begging to come out". After that, I had a long break from creativity that lasted over ten years. Eventually, I realized that I couldn't live without writing. Now, at 37, I proudly call myself a writer. This field brings me immense satisfaction, as the time spent creating something new energizes and fulfills me.
Interviewer: Tell us about the short story collection Paper Topchik 4, where you contributed as an author. How did the work on this anthology begin, and what was your story about?
Ihor: The story of Paper Topchik 4 began with the literary competition Horrific Romance, which I co-organized with another author, Daria Hulvis. The competition aimed to combine love stories with dark, suspenseful plots. The best entries were selected for the anthology. As an organizer, I contributed my own story, Deadline, which appears in the second part of the collection, titled Finity. This felt symbolic, as the story itself is about endings. It tells the tale of a young man working for his father and a vengeful girlfriend.
Interviewer: Apart from collaborations, you are the author of your own short story collection, BezNizhnist. Tell us about it. What was the creation process like, and who are the main characters?
Ihor: BezNizhnist (ed. – Without Tenderness) is my debut collection of short stories, published in late 2023 after Serhiy, the founder of Flotilla, suggested I create a book. Although I primarily write mysticism and horror, this collection features 10 stories with diverse atmospheres – from light and almost naïve tales like The Little Witch and Coffee with a Bird to darker, more intense pieces such as Apple Compote. There are also classic horror stories, like Toothache. The characters are just as varied, from a superpowered goblin to metaphorical and literal monsters living within people.

Interviewer: How difficult is it to create characters? Are they inspired by real people, or do they come entirely from your imagination? Do you have a favorite character? Why?
Ihor: Creating characters is a fascinating process. Most of them come from my imagination, but occasionally, certain traits are subconsciously inspired by people I know. I describe my characters the way I see them in my mind. I love all of them – some are kind and sweet, others are cunning and cruel, but most are complex, embodying both good and bad traits.
Interviewer: Tell us about the anthology 100 Shades of Darkness. What was the writing process like?
Ihor: I was invited to contribute to 100 Shades of Darkness by its compiler, Zorian Kostiuk. He aimed to gather 100 chilling stories from various authors into one book. At the time, I was working on a horror story, Hotel "Vatra", featuring a protagonist who had previously appeared as a secondary character in BezNizhnist. When the opportunity arose to add another story, I reworked Frozen in the Mountains, expanding it and making the ending even more terrifying.
Interviewer: You also write poetry. Why did you decide to combine such different genres, and which is closer to you – poetry or prose? Why?
Ihor: Poetry allows me to express my inner feelings and experiences through rhythm and rhyme. Many of my poems revolve around love – mutual, unrequited, or nostalgic. For me, poetry reflects my internal emotions, while prose is about the external world. Both hold a special place in my heart, depending on the phase of life or mood I’m in.
Interviewer: How difficult is it to publish a book in modern Ukraine based on your experience? What advice would you give to aspiring authors?
Ihor: Publishing a book in Ukraine has its challenges, especially with obstacles like rising printing costs, blackouts, and delays caused by events like the bombing of the Kharkiv printing house. However, there is also opportunity: readers are more eager to support Ukrainian authors. My advice to beginners is to share your work fearlessly, find beta readers, collaborate with illustrators, post on platforms like "Arkush", and create social media content. Most importantly, keep writing – only you can tell your story the way it should be told.
.webp?token=otn1q4rw7ozmdwqh515pzcp3pd87h6nnwrb16ho1)
Interviewer: What projects are you currently working on?
Ihor: I’m working on my second collection of short stories, which will include previously published pieces alongside new ones, as well as a story written back in the mid-2000s that I’ve never shared before. I’m also compiling a poetry collection and have several other projects in the pipeline, including two fantasy novels and another short story collection. My creative plans for 2025 are ambitious!
Interviewer: What is your mission as a writer?
Ihor: I want people to read more Ukrainian literature, and I strive to bring it closer to them. I organize literary evenings where authors can read excerpts from their works. One such project, PubLiturnyk, was held in a Lviv pub, allowing even casual visitors to experience Ukrainian literature in an informal setting. I believe literature should be accessible to everyone.
Interviewer: What single word best describes your professional activity, and why?
Ihor: Can it be two? Progress and self-improvement. Constantly, with every passing minute and every written word, I try to progress and improve myself. I believe that as long as I am developing, I am living, and I can create something for others. It is often said that life is movement. And indeed, it is. But this movement can either be constructive – leading to development and progress – or destructive, leading to decay and regression. So, I try to ensure that my movement forward leads to progress! I create new works and progress as an author, but I also live my life day by day, absorbing more and more new information, interacting with different people, and constantly striving to improve myself so that tomorrow I will be better than today.
Pictures were taken from social networks of Ihor Snyatyncuk
George Manta is a digital artist, illustrator from Argentina, and founder of his own design studio — someone who was never drawn to the traditional path or classical art education systems. George believes in self-education and is convinced that if you truly love what you do, you will succeed. He works in the field of concert posters, portraying artists with a deep sensitivity — capturing their individuality while maintaining his own distinctive style. According to the artist, his journey into creating concert posters began with his friends who played in local bands. It was the independent music scene that first opened the doors to art for him. The artist’s main goal is to evoke emotions and create true works of art — not just serve as a visual tool to convey information about a concert. George has created posters for artists such as Paul McCartney, Dante Spinetta, The Rolling Stones, and many others. Most recently, he designed a poster for Paul McCartney's Got Back Tour 2025. George shared with Drive Music Media his insights on the beginning of his artistic journey, his commission for Paul McCartney, the creative vision behind the concert poster, and the easiest and most challenging sides of the artistic profession.
Sofia Lapsiuk is a Ukrainian makeup artist specializing in creative makeup who has chosen to avoid using any animal-based products in her work, creating all her looks without gelatin. Unfortunately, the exploitation of animals for the sake of art still goes unpunished in the fashion industry. According to Sofia, she doesn’t like it when her work is called “creative,” as she considers her looks simple. With Halloween approaching, her next project will be a Frankenstein-inspired look — Sofia is drawn to eerie and macabre styles. Sofia shared with Drive Music Media about the beginning of her journey, her refusal to use animal-based products in cosmetics, and her upcoming projects.
On October 9th, the founder of our media, Asya Radko, was invited to a private viewing of the exhibition "Women in Water" by the renowned American artist and one of the protagonists of pop art, James Francis Gill, held at Castle Fine Art Gallery in Exeter. The collaboration between James Gill and Castle Fine Art began in 2019. The event was attended by Richard Roden, Sales Director at Castle Fine Art in Exeter, and took place with the support of Queens Kunst Galerien and Ted Bauer, CEO of Premium Modern Art. For the artist himself, this exhibition represents a sense of calm and a desire to preserve beauty in such an unstable and turbulent world, given everything happening around us. His goal as an artist is to bring people peace. James Francis Gill began painting in the pop art genre in the 1960s and became one of the first artists to introduce pop art to the world. Our founder, Asya, had the chance to speak with James personally about the private viewing, his favorite painting from the «Women in Water» series, and his upcoming projects.
FEIA is a Ukrainian singer who feels a deep connection to nature and believes that her defining quality is her sense of magic. For her, FEIA is not just an image — it’s who she truly is. She brings all her emotions and the breath of a forest fairytale into her music. In our conversation, FEIA opened up about the beginning of her musical journey, honesty in music, and the meanings she weaves into her songs.
Paul McCartney is a British multi-instrumentalist musician and one of the deepest lyricists of our time, as well as a member of The Beatles, who has remained faithful to his simplicity and craft throughout his life. But he has another side — a love for photography, through which he has captured many important moments of life during the early years and the first wave of The Beatles’ popularity in 1963–1964. The uniqueness of Paul’s photographs lies in their sincerity: they are not staged shots, and they can transport the viewer back in time. The slight blurring and defocusing in some photos adds a feeling of being able to see the beauty in every moment. This is exactly the kind of exhibition titled Rearview Mirror: Liverpool - London - Paris, which opened at the end of August in London at Gagosian and will run until October 4, 2025. Drive Music Media received background information about Paul’s works and how they capture a time before "Beatlemania" through the lens and perspective of 21-year-old Paul — how he saw that time and how he preserved it on his film.