© 2026
Anna Totska is a Ukrainian UI/UX designer who refers to this field as "architecture" and aims to improve people's lives through her work. Anna shared with Drive Music Media the story of how her design career began, the large-scale projects she has worked on, and the types of commissions she would never agree to take on.
Interviewer: How and when did you realize that you wanted to work in design? What inspired you?
Anna: My journey into design began in childhood, when I passionately painted everything around me. This childhood enthusiasm gradually transformed into a professional interest. I used to draw even in my notebooks during class, which might have made me memorable to some teachers. I was always fascinated by the opportunity to create something new, something that could improve people's lives. I'm especially inspired by the power of design to create an emotional connection between a product and its users.
Interviewer: What were your first steps in this field? Tell us about your first project.
Anna: My first experience was in a small startup. It was like assembling a constructor set, where I built entire interfaces from small details. Of course, not everything was perfect, but this experience gave me an understanding of how different tools and technologies work. My first project was fairly simple — a landing page for a new service. Even in such a small project, I was able to apply my knowledge of usability and visual design. It was my first step toward creating truly useful products.

Interviewer: What is the main feature and distinction of UX/UI design from other types of design?
Anna: UX/UI design is like architecture but for the digital world. It stands out for its complexity and user-centered approach. Unlike other design fields, here we focus not only on aesthetics but also on functionality and usability.
Interviewer: You’ve worked on designs for various companies and organizations. Which of these projects do you remember the most? Why? What was the process of working on it like?
Anna: One of the largest projects I had the honor to work on involved developing an integrated platform for managing resources within a large organization. The main task was to optimize internal processes and ensure a high level of security. This project required integrating multiple functions, such as managing visitors, projects, and employees, which presented unique challenges. I developed solutions that allowed for information access control, user activity tracking, and protection against unauthorized access.

Interviewer: What would you name as the main advantages and disadvantages of working as a UX/UI designer, considering your experience?
Anna: The advantages of this field include the ability to express creativity, as design is an art that allows you to bring your ideas and visions to life. I also value the flexibility and freedom that come with remote work.
On the downside, the industry is highly competitive, requiring constant development and skill enhancement to remain relevant. Another drawback is the high level of responsibility. Every decision we make can affect a product's success. There are also situations where we have to work under tight deadlines and with limited resources. However, these challenges make our work so engaging.
Interviewer: What challenges have you faced in your career? How did you overcome them? How difficult is it to continue your career during russia's full-scale war against Ukraine?
Anna: One of the main challenges for specialists in our field during the war has been the increased competition in the IT market. This has led to lower average salaries and higher requirements for candidates. Many companies seek to hire experienced professionals but offer conditions that are more suited to junior positions. This creates a labor market imbalance and complicates the job search process.

In addition to market-wide issues, internal challenges within companies also arise. It's often difficult to determine whether a company is the right fit even after several rounds of interviews. Corporate culture, management style, and approach to employees are critical factors.
A company must ensure its management and project levels align with the employee’s potential while mitigating risks. Fulfillment of agreements between parties is also crucial. Regardless of a specialist's level, their opinion should be valued and respected. Constructive criticism is welcome, but mutual respect and acceptance are essential.
For me, the ideal company is one that values my expertise, provides opportunities for professional growth, and fosters an atmosphere of mutual respect and constructive dialogue.
Interviewer: What projects are you currently working on?
Anna: Currently, I am working on several small part-time projects, but my priority is finding a stable position in a team where I can apply my skills to larger-scale projects. I am open to new opportunities.

Interviewer: What projects would you like to work on?
Anna: I am particularly interested in working on mobile apps with a social impact, where I can conduct in-depth research and implement innovative solutions. I am also open to working on various projects, including mobile applications or platforms with exciting goals.
Interviewer: What are your professional deal-breakers? What kind of project wouldn’t you take on, either for free or for pay? Why?
Anna: There are certain projects I would prefer not to work on, particularly those related to casinos, betting, or other 18+ content. I believe that my work as a designer should bring value and positive experiences to users, not encourage harmful habits or risky actions. I do not want to be involved in projects that might harm people or prompt negative behaviors. Projects that conflict with my moral principles are not something I want to take part in.
Interviewer: What word best describes your creativity when working in design? Why?
Anna: If I had to choose one word to describe my work, it would be "synthesis". In UX/UI design, I constantly deal with various elements: visual styles, typography, interactive elements, and information architecture. Creating a successful interface involves combining all these elements into a cohesive whole that is not only aesthetically pleasing but also functional and user-friendly.
Pictures were provided by Anna Totska
Olga Bolotaeva is a Ukrainian singer-songwriter whose main professional background was in the field of economics, but her love for music never left her. It all began with cover songs, and over time she wrote her first original song. A key milestone in her career was participating in the British talent competition Golden Time Talent. Olga shared insights about her work in economics, her first song, and her experience with Golden Time Talent with Drive Music Media.
Marian Fil is a Ukrainian composer for whom the most important part of creating a new composition is having an inner feeling that he has something to say. Marian has been involved in music since childhood — he independently chose to study the accordion at a music school, and he wrote his very first étude for this instrument. About how a profession can choose you, the process of composing music, and the future of the composer’s craft in today’s technology-driven world, Marian shared his thoughts with Drive Music Media.
Vaughan Murrae, the star of The Way Home and Before I Change My Mind, is an actor who began their journey in a modeling agency and went on to find their true place in the film industry. Through their presence on screen, Vaughan aims to shift perceptions of non-binary actors, advocating for roles that exist not as a checkbox, but as fully realized stories — with deep, authentic engagement in the non-binary experience. Open to creative challenges, Vaughan recently appeared in the comedy Malcolm in the Middle, a genre they had never worked in before. In a conversation with Asya Radko, founder of Drive Music Media, Vaughan spoke about their path in the modeling industry, the beginning of their acting career, how an award category was changed specifically for them from “Best Actor/Best Actress” to “Best Acting Performance,” and about their first leading role in Before I Change My Mind.
MJ Kim is a photographer who believes that the most important thing in portrait photography is for people to be truly seen; that landscapes should be more than just a beautiful visual — they should convey atmosphere; and that concert shots should evoke new feelings every time and remain unique. For him, photography is about living moments. Not about perfection, but about that very frame he captures during the many years of touring with Paul McCartney — even when it’s the completely unglamorous view from a hotel window. In portrait photography, it always starts with a conversation — with contact and presence. Only then does everything become real. MJ Kim has been Paul McCartney’s personal photographer since 2008 and recently returned from McCartney’s months-long Get Back 2025 tour across North America. He has created profound portraits of Johnny Depp, Michael Jackson, Natalie Portman, and many others, and has documented key moments that have become part of music history. His path in photography began by chance. He simply needed a job — and became a photojournalist in London. That decision became a turning point, the very accident that shaped his future and led him to who he is today. About how he senses “the moment,” the hardest and most important part of touring with Paul McCartney, his project Rooms Without A View, and the mission he carries as a photographer — shared with Asya Radko, founder of Drive Music Media.
Hugo Nicolau is a Portuguese actor, photojournalist, and musician who played the lead role in the profound social short film Avenue to Nowhere, directed by Jacob Migicovsky — a project that became deeply personal and significant for him. This year, Hugo also appeared as a Maître D’ in Johnny Depp’s second directorial film, Modi: Three Days on the Wing of Madness, and attended three major premieres: the world premiere at the San Sebastián Film Festival, the UK premiere in London, and the North American premiere in Los Angeles. Hugo’s creative journey began with music — from classical piano training to performing in successful rock bands such as Slave and Mary Me. Among all artistic disciplines, music has remained the one constant in his life. His path then led him from studying economics to the media field — specifically photojournalism, where he worked with a strong ethical focus on respecting personal boundaries and developed a sharp eye for detail. Photography became Hugo’s second great love and an essential foundation for his artistic sensitivity. Acting entered his life unexpectedly in 2001 and has remained with him ever since, gradually becoming a central part of his creative identity. All the disciplines he has been involved in have shaped and enriched his work as an actor, helping him bring his characters to life on screen. About the role of music in his life, his work as a photojournalist for the Portuguese newspaper O Comércio do Porto, and his approach to choosing roles, Hugo opens up in conversation with Asya Radko, founder of Drive Music Media.