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Varvara Yampolets is a Ukrainian photographer who believes her mission is to bring light through her photographic works. Through her lens, she aims to preserve people’s warm moments, especially during russia’s full-scale war against Ukraine. In her photography, Varvara pays special attention to portraits, as this genre allows her to capture genuine human emotions in intricate detail. She shared with Drive Music Media her journey into photography, the unique essence of portraiture, and her latest projects.
Interviewer: Why did you choose a photographic art?
Varya: Photography for me is a way of telling stories through images. I’ve always loved observing people and their emotions, and the camera became the perfect tool to preserve those moments. Moreover, photography allows me to express my creativity and share warmth with others.
Interviewer: Most of your photos are portraits. What makes this genre special to you?

Varya: A portrait is always about the person – their uniqueness and authenticity. Through portraits, I aim to capture the depth of character, emotions, and inner beauty. It’s a challenge for me as a photographer to find that moment when someone is most open and genuine.
Interviewer: Many of your photos have warm, yellow lighting and editing. Can you tell us about the "coziness" in your work? Why did you choose this style?
Varya: I always strive to create an atmosphere of comfort, intimacy, and warmth so that my photos remind people of childhood moments or family memories. Warm tones help convey this "coziness" and evoke positive associations in viewers.
Interviewer: How difficult is it to continue your career during russia's full-scale war against Ukraine? What challenges do you face, and what helps you keep going and continue creating beauty?
Varvara: There are many challenges: limited resources, fear for the future, and instability. But photography has become a kind of therapy for me and a way to support others. I find purpose in my work because, even in dark times, it’s important to preserve the bright moments of life.

Interviewer: Where do you find inspiration for your shoots? How do your ideas come to life, and what is your preparation process like?
Varvara: I find inspiration in nature, people around me, art, and even everyday little things. Ideas often arise spontaneously, but they always involve careful preparation: discussing the concept, choosing a location, preparing props, and understanding the client’s wishes.
Interviewer: Children’s photoshoots – how hard is it to find a connection with a child during a shoot? What techniques do you use?
Varvara: Children are sincere and spontaneous, but working with them requires patience. I try to create a playful atmosphere and find common ground by using simple things like favorite toys, jokes, or even telling stories. The most important thing is to give them a sense of safety and freedom.
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Interviewer: Tell us about a shoot that left a lasting impression on you.
Varvara: One time, I photographed a family, and it was such a heartfelt experience. We shot in a studio, and the child was running around, laughing, and hugging their parents. That energy, sincerity, and warmth left an unforgettable mark on my heart.
Interviewer: What projects are you currently working on?
Varvara: I’m currently working on photographing merchandise for a local brand. At the moment, I cannot disclose the name, as it pertains to one of the Ukrainian brigades.
Interviewer: Tell us about a shoot you would never do and one you dream of doing.
Varvara: I would never photograph something that goes against my ethical values. But I dream of doing a shoot in an underwater studio, where water and the human form blend together in harmony.
Interviewer: What one word best describes your work as a photographer? Why?
Varvara: "Light". It’s not just about the technical aspect but also what photography brings to people: joy, memories, warmth. Light inspires me and gives me the strength to keep going.
Pictures were provided by Varvara Yampolets
George Manta is a digital artist, illustrator from Argentina, and founder of his own design studio — someone who was never drawn to the traditional path or classical art education systems. George believes in self-education and is convinced that if you truly love what you do, you will succeed. He works in the field of concert posters, portraying artists with a deep sensitivity — capturing their individuality while maintaining his own distinctive style. According to the artist, his journey into creating concert posters began with his friends who played in local bands. It was the independent music scene that first opened the doors to art for him. The artist’s main goal is to evoke emotions and create true works of art — not just serve as a visual tool to convey information about a concert. George has created posters for artists such as Paul McCartney, Dante Spinetta, The Rolling Stones, and many others. Most recently, he designed a poster for Paul McCartney's Got Back Tour 2025. George shared with Drive Music Media his insights on the beginning of his artistic journey, his commission for Paul McCartney, the creative vision behind the concert poster, and the easiest and most challenging sides of the artistic profession.
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Paul McCartney is a British multi-instrumentalist musician and one of the deepest lyricists of our time, as well as a member of The Beatles, who has remained faithful to his simplicity and craft throughout his life. But he has another side — a love for photography, through which he has captured many important moments of life during the early years and the first wave of The Beatles’ popularity in 1963–1964. The uniqueness of Paul’s photographs lies in their sincerity: they are not staged shots, and they can transport the viewer back in time. The slight blurring and defocusing in some photos adds a feeling of being able to see the beauty in every moment. This is exactly the kind of exhibition titled Rearview Mirror: Liverpool - London - Paris, which opened at the end of August in London at Gagosian and will run until October 4, 2025. Drive Music Media received background information about Paul’s works and how they capture a time before "Beatlemania" through the lens and perspective of 21-year-old Paul — how he saw that time and how he preserved it on his film.