© 2026
Aydan Aliyeva is a Ukrainian photographer who believes that a single successful portrait can reveal more about a person than an entire series of staged shots. In her art, she holds on to authenticity and "living" moments. She shared with Drive Music Media her thoughts on the harmony of location and shoot themes, her love for experimentation, and the impact of the war on her creativity.
Interviewer: Why did you choose photography? What attracted you to this field?
Aydan: I chose photography because I wanted to bring to life the images that have been forming in my mind since childhood. This field is fascinating to me because it offers endless opportunities for learning, experimenting, and thriving in a competitive market that encourages diversity in photography services.
Interviewer: Where do you find inspiration for new shoots? How do you see the person in the frame? How challenging is it to help someone "open up"?
Aydan: I often draw inspiration from classic 20th-century photography, as well as from film, fashion, and visual art. Each person is unique to me and requires an individualized approach. To help them open up, I often joke around and try to create a relaxed, comfortable atmosphere behind the camera.
Interviewer: Most of your photos are portraits. Why do you focus on them?
Aydan: I love studying human faces, analyzing their structure and symmetry, and observing how light falls on them. A single well-crafted portrait can reveal much more about a person than an entire series of staged photos.
Interviewer: Which shoot has been the most memorable for you? Why?
Aydan: My favorite shoot was one that captured dance. I attended a master class with a well-known photographer, and that experience made me realize that I want to capture more people in motion – to capture moments and the essence of people in dance.

Interviewer: Tell us about unplanned shoots: what might inspire you to do one?
Aydan: Movies and music videos often spark ideas in my mind – color combinations, types of characters I'd like to photograph. I’m currently planning to shoot a couple in a “cinematic” style to tell a story.
Interviewer: What’s important to you when choosing a location? Where would you like to shoot?
Aydan: A shoot location should enhance the image, the people, and their story, conveying a specific mood. If it’s a studio, I prefer spacious settings with minimal details but lots of lighting options to experiment with. I'd love to shoot in well-preserved abandoned buildings, though access to them is often restricted.
Interviewer: What types of shoots would you never agree to? Why?
Aydan: I would never agree to photograph newborns. In general, children and family shoots aren't for me – they’re very energy-draining, and some family members often aren’t too enthusiastic about participating.
Interviewer: How challenging is it to work in today's Ukrainian reality? What are photoshoots and their preparations like during wartime?
Aydan: The hardest part in today's reality is dealing with constant air raid alerts – you never know if something will hit nearby, or if you and your model are safe. Shoots in studios are frequently interrupted as we have to drop everything and head to shelters. The tense situation in the country impacts creativity as well; it’s hard to stay motivated.

Interviewer: Describe your photography in one word. Why that word?
Aydan: I don’t consider my work to be “art”, but I like to think that it highlights the individuality of each person. I often notice qualities in people that others might overlook.
Interviewer: What message do you convey with your photos? What underlying meanings do you embed in them?
Aydan: My goal is to show that everyone has their own unique beauty. Each of us can allow ourselves to be a bit more open during a shoot, since we’re usually expected to wear masks and meet society’s expectations every day.
Pictures were taken by Aydan Aliyeva
Kelsey Falconer is a Canadian actress and wood worker whose role as Tessa Cooper in The Way Home was not fully revealed on screen, but it shaped the actress’s portrayal of the character. What was important to Kelsey was that she never perceived Tessa through the lens of her mistakes. The character itself is, in fact, very deep and very real — there is no performative heroism in her, but rather the feeling of a real person moving through her own pain and love, making decisions in circumstances she could never have anticipated. An important part of her story is that the writers do not romanticize motherhood, but instead show it for what it can be — and the only thing you feel while watching is an inability to understand how anyone could treat a woman that way when she was not ready for it. Kelsey’s perception of the character and her empathy for her complexity played an important role in the Tessa we ultimately saw on screen. Beyond The Way Home, Kelsey has had roles in several TV shows, including Lenore Hunk on Fargo, Nurse Zoe on DOC, and she plays the title role in the upcoming film Celia as well as the lead role in the feature film Fortescue. Kelsey shared with our founder, Asya Radko, her own perspective on Tessa, the characters she personally connects with in The Way Home, woodworking, creative risk, and the roles she questions whether she would take on.
Devin Cecchetto is a Canadian singer and actress who recently released her first single from a four-song series, with each track representing a different stage of her life. The first release, “Desert Cold,” is a melancholic and nostalgic song with a strong cinematic feel. The song reflects on a period in Devin’s life when she was living in Los Angeles. As the artist herself described it, she felt caught somewhere between “everything around me is so bright and there’s so much going on” and a deep sense of loneliness. Devin spoke to our founder, Asya Radko, about that period of her life, the songwriting process, and her own artistic vision.
AJ Ingson is an American artist and craftsperson working in the fields of digital illustration and woodworking. One of the key aspects of their artistic practice is embracing mistakes and experimentation. When something needs to be changed in his illustrations or projects, they see it as an opportunity — the process of solving problems brings them half of the enjoyment because it allows them to refine their skills and improve their craft. One of their current projects explores genetics and the idea of inheritance through the lens of craftsmanship. They is fascinated by the idea that they can be both similar to their parents and, at the same time, not completely either one of them. AJ Ingson shared with us about the beginning of their creative journey, his current projects, and the values that guide them as an artist.
Sonny McCartney is a photographer who hopes that what he creates will live longer than he does. He describes his journey as passionate. From an early love of graphic design to music photography and eventually opening his own studio in his hometown of Liverpool, every step of Sonny’s 18-year career holds deep personal significance for him. When Sonny was younger, he moved to London because Liverpool did not yet have a photography studio like the one he would later go on to create himself. He believes that the role of a photographer should not cross ethical boundaries and feels that, unfortunately, paparazzi culture has cast a shadow over the profession as a whole. Throughout his career, he has remained committed to his own principles. One of Sonny’s most powerful projects is Don’t Mind Me, which explores mental health and documents the real-life experiences of people who have faced it. Through this work, he both filmed and photographed participants, creating an honest and deeply human record of their stories. Sonny spoke with Asya Radko, founder of Drive Music Media, about his project Don’t Mind Me, his work supporting artists after amputation and people with disabilities, the creation of his own studio, and what exists beyond the frame of his camera.
Angelina Spilnyk is a writer who believes that stories should not be simple. For her, literature is an opportunity to reveal new perspectives, challenge familiar ideas, and invite readers into a world where every layer hides another meaning. She is drawn to complexity, symbolism, and questions that rarely have straightforward answers.Whether writing about memory, migration, war, technology, or identity, Spilnyk explores the connections between personal experience and the broader forces shaping our lives. Her work ranges from therapeutic fiction and poetry to speculative narratives that examine humanity's future and the societies we build.Her stories have appeared in several Ukrainian anthologies, including Light Between the Lines, Beyond Yourself, and Prose of a New Era. Alongside her shorter works, she is currently developing her epic poem Peccata Mundi and her debut novel Steppe Stork.About her literary journey, the challenges facing contemporary Ukrainian writers, the stories closest to her heart, and the mission she carries as an author, Angelina Spilnyk spoke with Drive Music Media.