© 2026

Kateryna Ustiuhova is a Ukrainian writer and the author of the fantasy novel Twiceborn. For her, writing fantasy stories is a form of escapism – one that, despite everything, can help build connections with the real world. Kateryna is currently working on the second part of "Twiceborn", where she aims to further develop the stories of certain characters. She shared with Drive Music Media her journey as a writer, the story behind Twiceborn, and the deeper meanings woven into her book.
Interviewer: How and when did you begin your journey in the world of literature? What were your first steps in this field?
Kateryna: I started writing while still in school and participated in numerous poetry and literary competitionsa – young talent and all that. In 2018, I self-published a collection of poems and short stories to capture the grandiose teenage phase of my creative journey. Since then, I have focused on writing novels in the Young Adult fantasy genre.
Interviewer: Why did you choose fantasy as your genre? What makes it close to your heart?
Kateryna: For me, fantasy is about escapism –searching for alternatives to a reality that doesn’t suit you. However, paradoxically, I realized that believing in magic and miracles ultimately helps in building a personal way of interacting with the real world. It helps me live that life – to find anchor points through imagination and discover my own superpowers.

Interviewer: Tell us about your book "Dvonarodgena" (ed. – Twiceborn). How did the idea for it come about, and who are its main characters?
Kateryna: My novel is the quintessence of escapism. It’s pretty much autobiographical because I write about what I know. The story is told from the perspective of a heroine who, in the end, may turn out to be the imaginary alter ego of another character: “The girl from Earth is certain she made me up. She calls the princess of one of the worlds of the Parallels her ‘controlled dissociative disorder’ and hopes to become brave and determined at my expense. Nonsense! Yet, for some reason, I remember her life no worse than my own. And she believes she can predict my fate. So, this story is not about journeys to other worlds – though there was that, too. Nor about a sacred Destiny that cannot and yet must be chosen. It’s not even about a wild but slightly misplaced-in-time love. The main thing in my tale is to find out who actually wrote these lines”.
Interviewer: Which supporting character in your book holds special significance for you, and why?
Kateryna: The supporting characters who help the protagonist in her quest weren’t even something I had to make up. All seven of them are my “imaginary friends” with whom I have been mentally conversing since secondary school. Their personalities crystallized in my mind, acquiring real biographies. We’ve been through countless stories together, so Ray, Eric, Trix, Mir, Maris, Jade, and Dayotara feel more real to me than many actual acquaintances.

Interviewer: Initially, you didn’t plan to write a series, but in 2024 you completed the sequel "Dvonarodgena. Za mezhamy". Tell us about this part. What made you change your mind?
Kateryna: At first, I envisioned a duology. I was inspired by Leigh Bardugo and her Six of Crows duology. Also, I don’t like drawn-out series that stretch to ten volumes simply because the author can’t stop in time. However, as I was finishing the second book, I realised that some important characters didn’t get enough time on the pages to fully develop. That said, I swear – it will be a trilogy, no more!
Interviewer: How difficult is it to continue your career during russia’s full-scale war against Ukraine? Where do you find inspiration, and what challenges have you faced as a writer during this time?
Kateryna: Because of the war, my family and I had to leave Kharkiv for Scotland. It changed almost everything in my life. But I have always clung to writing as the foundation of my identity – something that helps me remain myself, despite the almost unrecognizable reality around me. The stress and fear haven’t gone away, but Scotland, to me, is a place of fairy tales and legends, so I feel there is plenty of magic here to draw inspiration from.

Interviewer: How difficult was it to find a publisher? Tell us about this part of a writer’s journey – what should aspiring authors be prepared for?
Kateryna: In 2020, when I published "Twiceborn: Steps Beyond", I thought publishers only worked with some kind of chosen, godlike authors. So, my book was printed by a small private publishing house in Kharkiv. Now, things have changed significantly. Independent publishers willing to work with new writers are making themselves known boldly and confidently, so today, authors have many avenues for publication. The key is to do everything possible to ensure your work is of high quality. And then – to stop being shy and finally call yourself a writer.
Interviewer: What stories are you working on now?
Kateryna: I am currently studying on a Ukrainian-British one-year creative writing course at the «Ryba» Academy. My year-long project there is a collection of short fiction in the fantasy and magical realism genres, "Серця і Відьми" (ed. – Hearts and Witches).
Interviewer: What do you see as your mission as a writer?
Kateryna: I see my mission as showing how escapism ultimately helps to find strength in powerlessness and to create one’s own effective way of interacting with reality.
Interviewer: What word do you associate with your own creativity?
Kateryna: Escapism.
Pictures were provided by Kateryna Ustiuhova
Sonny McCartney is a photographer who hopes that what he creates will live longer than he does. He describes his journey as passionate. From an early love of graphic design to music photography and eventually opening his own studio in his hometown of Liverpool, every step of Sonny’s 18-year career holds deep personal significance for him. When Sonny was younger, he moved to London because Liverpool did not yet have a photography studio like the one he would later go on to create himself. He believes that the role of a photographer should not cross ethical boundaries and feels that, unfortunately, paparazzi culture has cast a shadow over the profession as a whole. Throughout his career, he has remained committed to his own principles. One of Sonny’s most powerful projects is Don’t Mind Me, which explores mental health and documents the real-life experiences of people who have faced it. Through this work, he both filmed and photographed participants, creating an honest and deeply human record of their stories. Sonny spoke with Asya Radko, founder of Drive Music Media, about his project Don’t Mind Me, his work supporting artists after amputation and people with disabilities, the creation of his own studio, and what exists beyond the frame of his camera.
Angelina Spilnyk is a writer who believes that stories should not be simple. For her, literature is an opportunity to reveal new perspectives, challenge familiar ideas, and invite readers into a world where every layer hides another meaning. She is drawn to complexity, symbolism, and questions that rarely have straightforward answers.Whether writing about memory, migration, war, technology, or identity, Spilnyk explores the connections between personal experience and the broader forces shaping our lives. Her work ranges from therapeutic fiction and poetry to speculative narratives that examine humanity's future and the societies we build.Her stories have appeared in several Ukrainian anthologies, including Light Between the Lines, Beyond Yourself, and Prose of a New Era. Alongside her shorter works, she is currently developing her epic poem Peccata Mundi and her debut novel Steppe Stork.About her literary journey, the challenges facing contemporary Ukrainian writers, the stories closest to her heart, and the mission she carries as an author, Angelina Spilnyk spoke with Drive Music Media.
Danyil Shpudeiko is a Ukrainian poet, songwriter, and co-founder of the band “Tonkyi Marsh” — a project that emerged not from a calculated career plan, but from a need to transform thoughts, social tension, and personal freedom into music. Having spent most of his conscious life in sports before unexpectedly stepping into the music industry, Danik never considered himself a traditional musician. For him, music became a channel for poetry, reflection, and honest conversations about society, politics, inner conflict, and identity. Together with his bandmates, he built “Tonkyi Marsh” as a space where lyrics matter more than trends and where songs are meant not simply to entertain, but to provoke thought and emotional response. Danik shared with Drive Music Media the story behind the band’s creation, the philosophy of their music, the meanings hidden inside the mini-album Painted Souls, the challenges of creating art during wartime in Ukraine, and why freedom remains the defining word of his art.
On April 27, the British indie-rock band MOSAICS held a launch party at the concert venue of the pub The Lower Third to celebrate the release of their debut album “A Guiding Life”, which began in July 2025. The album includes five tracks: “Godspeed,” “Heaven Knows,” “A Thousand Faces,” “Sing Me to Sleep,” and “Different People” — one of which, “Different People,” was performed as a duet with James McCartney. The album was released with the involvement of sound engineer George Lloyd-Owen, mixing by Lue Stylianou, mastering by Matt Colton, and publishing by Xaccuti Productions. The atmosphere of MOSAICS’ concerts has a way of pulling you inward — somewhere deep into your own thoughts. During “Different People,” it feels like a quiet conversation with yourself: about how you change as the world around you shifts, and how following your dreams brings both outcomes and losses. One of the most striking lines — “All these city lights have really taken their toll” — becomes a precise metaphor for the experience of moving, which lies at the heart of the song. To mark the release of their first album, James joined MOSAICS at the launch party and also performed one of his new songs, “Angeles.” Discover the atmosphere of MOSAICS’ concert this Monday in a report by our founder, Asya Radko.
Cherepanov is a Ukrainian guitarist, songwriter, and one of the key figures in Kyiv’s alternative underground scene — a musician who doesn’t just play music, but builds an entire ecosystem around it. From early inspiration Pet Shop Boys to founding bands, organizing concerts for international acts, and running the iconic Kyiv based art-space “Tepliy Lampoviy,” his journey reflects a deep commitment to creative freedom and community. As a member of Spokusy and Aghiazma, and the mind behind numerous cultural initiatives, he continues to shape the sound and spirit of a new Ukrainian wave — raw, emotional, and unapologetically independent. In this interview, Cherepanov speaks about his musical beginnings, balancing multiple projects, creating during wartime, and why his entire creative path can be summed up in one word: afterparty.