© 2026

Serhiy Klemin is a Ukrainian writer and anthropologist who firmly believes that it is impossible to write science fiction while keeping a respectful distance from science. Anthropology is an essential part of his literary work, with its foundations reflected in his book Homo Eroticus: Love Attachment in the Mirror of Evolution. Serhiy shared his thoughts with Drive Music Media on the nuances of science fiction, his book Homo Eroticus: Love Attachment in the Mirror of Evolution, and the process of finding a publisher.the distance that had put in their relationships.
Interviewer: How and when did your writing journey begin? What were your first steps in this field?
Serhiy: I attempted to write prose back in school. Of course, the artistic value of those works was close to zero. Interestingly, I started by turning my first story ideas into comics before eventually putting them into text, which I would sell to fans for a small fee. At that time, I had no idea how to properly write short stories. There were no creative writing courses available, or at least I never came across any (this was before the internet became widely accessible in my town), so I had to hone my craft through trial and error. And yet, I enjoyed working with text. The most remarkable thing about all of this is that I burned my first collection of short stories, Twilight Stories, in 2001 because I believed they were too dark and unworthy of a reader's attention. However, nearly twenty years later, I changed my perspective and am now trying to reconstruct the main plots from memory – stories that inspired me in my teenage years and early youth.
Interviewer: Why did you choose the genre of science fiction? What attracts you to it?
Serhiy: Science fiction is like jazz, the music of freedom. Now, I can hardly imagine great literature without sci-fi, but if it didn’t exist, we would have lost a lot. For me, science fiction expands the zone of my personal presence – it makes me feel more whole, if I may put it that way. Through this genre, I feel as if I am living multiple lives at once. There is an almost aesthetic euphoria in it. Moreover, "hard" science fiction models possible scenarios and, in doing so, reveals the branching paths of potential futures. As someone who wants to experience life in all its complex polyphony, this is incredibly important to me.

Interviewer: You are the author of "Homo Eroticus: Love Attachment in the Mirror of Evolution". How did the idea for this book come about? What was the writing process like? How was the book presented?
Serhiy: My youth, love, and passion were the primary driving forces behind this topic. It all started around 2009 when I became interested in attachment theory from a psychoanalytic perspective. Later, I began writing a dissertation on the subject, but I soon realized it was a tough nut to crack. I had to turn not only to philosophy but also to sociology (I discovered monographs on the sociology of love), neurobiology, anthropology, and even paleontology to piece everything together. It was a challenging process because the data from the natural and social sciences often conflicted with each other. However, I was eager to dig deep into the fundamentals, which is why my dissertation took an unreasonably long time to complete. Eventually, I began writing a monograph (which I never finished), and in 2020, I decided to write a popular science book that would be accessible to a broad audience. The most remarkable thing about Homo Eroticus is that I wrote it extremely quickly – there were no multiple drafts or endless revisions; everything flowed effortlessly on the first attempt. It might sound immodest, but the work carried a kind of wild energy. Perhaps this was because I had spent years working on my dissertation – this topic held almost existential significance for me. The book was officially released at the end of 2023 and has since been featured at various book festivals and events. In a sense, it has taken on a life of its own.
Interviewer: How difficult was it to find a publisher? What obstacles did you encounter along the way?
Serhiy: Finding a publisher in Ukraine is always a difficult and even painful topic for aspiring writers. Not all publishing houses welcome new authors, especially if they lack notable achievements or an impressive biography. I had neither. So my journey was not easy. I faced frequent rejections for various reasons, and some publishers even terminated contracts over minor issues – but that never stopped me. I completely understand the logic of publishers; a book must sell, and no one is particularly interested in working with an author who isn't a "walking advertisement". Unfortunately, talent alone is not enough for a successful writing career –determination and luck are just as important. I believe I was fortunate in all these aspects, but I could have easily not been.

Interviewer: You are not just a writer – you are also a researcher and anthropologist. Human nature, emotions, psychology, and biology play a crucial role in your writing. Why is this theme so close to you? Tell us about how your creative work intersects with science.
Serhiy: Humanity is the gravitational center of all my writing. Without anthropology in my life, I would likely lose a great deal as a writer. Moreover, it's impossible to write science fiction while keeping a respectful distance from science. These things complement each other. I study human cultures because I want to understand the human within myself on a deeper level. It is important for me to grasp what it means to be human and what it does not. The fascinating thing is that humanity is inseparable from biology, and in this sense, anthropology is the fuel that launches my literary work.
Interviewer: What projects are you currently working on?
Serhiy: At the end of 2024, I began writing a new non-fiction book about the biology and psychology of friendship, which I hope to finish by mid-summer this year. This is an important topic for me, so I am writing it primarily for myself. There is a noticeable lack of books on this subject in Ukraine, so perhaps my work will help fill that gap. In addition to non-fiction, I am working on completing my novel "Possessed", which I started in the fall of 2024. The book is in the cosmic horror genre and is heavily inspired by Lovecraftian narratives. In essence, this is my first full-length novel, which is set to be published soon. Most of my novel ideas were developed back in 2018, but back then, I had to postpone or shelve many of them. I am also continuing to write short stories and novellas for future collections and anthologies. The genres vary – science fiction, dystopia, body horror, natural horror, and love drama.
Interviewer: What advice would you give to aspiring science fiction writers? What advice would you have wanted to hear at the beginning of your journey?
Serhiy: I would advise beginners to read as much as possible – not just science fiction, dystopias, horror, or thrillers, but also classic love prose. Why not? All of it enriches and deepens the writing experience. One must always remember that no matter the genre, a novel is ultimately about people – their characters and destinies. Readers are interested in following the fates of characters caught in various situations. I’m not saying that plot isn’t important – it certainly is – but at the heart of every story are people, their interests, and relationships. The more realistically these aspects are portrayed, the better for the writer. Readers can quickly detect inauthenticity, so they need to be "convinced" that they are experiencing real, organic dialogue – because art should make an impact. To reach a high level, one must read as many books as possible. As for advice I would have liked to hear in the beginning, I think it would be about creative obsession. Writing prose only makes sense if the author is, in the best possible way, obsessed with their craft.

Interviewer: What are the current trends in Ukrainian science fiction, based on your observations?
Serhiy: A new generation of sci-fi writers is emerging with a wealth of fresh ideas, and a cohort of living legends – such as Max Kidruk – has also formed. It's encouraging to see diversity among authors, from cyberpunk to planetary fiction and space opera. It’s also great to see many women contributing to Ukrainian science fiction, bringing their own unique perspectives. However, I notice a distinct lack of high-quality "hard" science fiction. It’s not entirely absent, but strong, well-plotted novels in this genre are rare. Meanwhile, there is an abundance of fantasy – far more than necessary, in my opinion. That said, I understand that market demand drives supply, and this isn’t just an issue in Ukraine. I personally don't favor such books, but I hope that hard sci-fi will soon claim its rightful place.
Interviewer: What is your mission as a writer?
Serhiy: I would refrain from using the word "mission", but I have had plots for several dozen science fiction novels brewing in my mind for a long time, and I simply cannot help but bring them to life. It's something like an obsession, even intrusive thoughts. Some characters are practically begging to be put on paper – they live in my head, waiting for their turn to appear in books. In general, I have a strong desire to show readers that life can be incredibly diverse, to reveal the complexity and multi-layered nature of our universe, which at the same time is terrifying in its cosmic coldness. My love for science has made me something of a Columbus, eager to see life from different perspectives, and I want to share that spirit of discovery with my readers.
Interviewer: What word best describes your work as a writer?
Serhiy: It’s quite difficult to sum it all up in one word, but let’s try. Let that word be "anthropology". Everything I do as a writer is, in one way or another, connected to an exploration of the human world. Sometimes, fiction provides insights that are difficult to capture through scientific methods, even though anthropology holds great significance for me. No matter how uncomfortable or inconvenient the truths we uncover may be, they all play a crucial role in reflection and self-discovery. Because ultimately, it's all about being human. In this sense, for me as a writer, there are no forbidden topics.
Pictures were provided by Serhiy Klemin
Sonny McCartney is a photographer who hopes that what he creates will live longer than he does. He describes his journey as passionate. From an early love of graphic design to music photography and eventually opening his own studio in his hometown of Liverpool, every step of Sonny’s 18-year career holds deep personal significance for him. When Sonny was younger, he moved to London because Liverpool did not yet have a photography studio like the one he would later go on to create himself. He believes that the role of a photographer should not cross ethical boundaries and feels that, unfortunately, paparazzi culture has cast a shadow over the profession as a whole. Throughout his career, he has remained committed to his own principles. One of Sonny’s most powerful projects is Don’t Mind Me, which explores mental health and documents the real-life experiences of people who have faced it. Through this work, he both filmed and photographed participants, creating an honest and deeply human record of their stories. Sonny spoke with Asya Radko, founder of Drive Music Media, about his project Don’t Mind Me, his work supporting artists after amputation and people with disabilities, the creation of his own studio, and what exists beyond the frame of his camera.
Angelina Spilnyk is a writer who believes that stories should not be simple. For her, literature is an opportunity to reveal new perspectives, challenge familiar ideas, and invite readers into a world where every layer hides another meaning. She is drawn to complexity, symbolism, and questions that rarely have straightforward answers.Whether writing about memory, migration, war, technology, or identity, Spilnyk explores the connections between personal experience and the broader forces shaping our lives. Her work ranges from therapeutic fiction and poetry to speculative narratives that examine humanity's future and the societies we build.Her stories have appeared in several Ukrainian anthologies, including Light Between the Lines, Beyond Yourself, and Prose of a New Era. Alongside her shorter works, she is currently developing her epic poem Peccata Mundi and her debut novel Steppe Stork.About her literary journey, the challenges facing contemporary Ukrainian writers, the stories closest to her heart, and the mission she carries as an author, Angelina Spilnyk spoke with Drive Music Media.
Danyil Shpudeiko is a Ukrainian poet, songwriter, and co-founder of the band “Tonkyi Marsh” — a project that emerged not from a calculated career plan, but from a need to transform thoughts, social tension, and personal freedom into music. Having spent most of his conscious life in sports before unexpectedly stepping into the music industry, Danik never considered himself a traditional musician. For him, music became a channel for poetry, reflection, and honest conversations about society, politics, inner conflict, and identity. Together with his bandmates, he built “Tonkyi Marsh” as a space where lyrics matter more than trends and where songs are meant not simply to entertain, but to provoke thought and emotional response. Danik shared with Drive Music Media the story behind the band’s creation, the philosophy of their music, the meanings hidden inside the mini-album Painted Souls, the challenges of creating art during wartime in Ukraine, and why freedom remains the defining word of his art.
On April 27, the British indie-rock band MOSAICS held a launch party at the concert venue of the pub The Lower Third to celebrate the release of their debut album “A Guiding Life”, which began in July 2025. The album includes five tracks: “Godspeed,” “Heaven Knows,” “A Thousand Faces,” “Sing Me to Sleep,” and “Different People” — one of which, “Different People,” was performed as a duet with James McCartney. The album was released with the involvement of sound engineer George Lloyd-Owen, mixing by Lue Stylianou, mastering by Matt Colton, and publishing by Xaccuti Productions. The atmosphere of MOSAICS’ concerts has a way of pulling you inward — somewhere deep into your own thoughts. During “Different People,” it feels like a quiet conversation with yourself: about how you change as the world around you shifts, and how following your dreams brings both outcomes and losses. One of the most striking lines — “All these city lights have really taken their toll” — becomes a precise metaphor for the experience of moving, which lies at the heart of the song. To mark the release of their first album, James joined MOSAICS at the launch party and also performed one of his new songs, “Angeles.” Discover the atmosphere of MOSAICS’ concert this Monday in a report by our founder, Asya Radko.
Cherepanov is a Ukrainian guitarist, songwriter, and one of the key figures in Kyiv’s alternative underground scene — a musician who doesn’t just play music, but builds an entire ecosystem around it. From early inspiration Pet Shop Boys to founding bands, organizing concerts for international acts, and running the iconic Kyiv based art-space “Tepliy Lampoviy,” his journey reflects a deep commitment to creative freedom and community. As a member of Spokusy and Aghiazma, and the mind behind numerous cultural initiatives, he continues to shape the sound and spirit of a new Ukrainian wave — raw, emotional, and unapologetically independent. In this interview, Cherepanov speaks about his musical beginnings, balancing multiple projects, creating during wartime, and why his entire creative path can be summed up in one word: afterparty.