© 2026

Tiana Shevett is a Ukrainian illustrator and author of children's books such as Twilight Tales on Halloween Night, Monsters: Not Scary Book at All!, and the sea-themed illustration series "Sea Portraits". Her goal is to create magical stories for the youngest readers, helping them feel joy and hope, especially during russia's full-scale war against Ukraine. Through her stories, she teaches children about friendship and brings smiles to their faces. Very soon, her new book Rules of Behavior for Little Witches will be released, where she aims to teach the importance of friendship. Tiana shared with Drive Music Media her thoughts on the new book, the Sea Portraits series, and the message she instills in her books.
Interviewer: Why did you choose the direction of children's illustration? What inspired you?
Tiana: I’ve always been fascinated by the world of children's illustration because it combines magic, fairytales, and the purity of a child's perspective. Children’s illustration gives the opportunity not just to draw but to create little worlds where characters come to life on the pages of books, helping children dream, rejoice, discover something new, and learn. My passion for this direction grew even stronger when I saw how illustrations can captivate both children and adults, inspire new adventures, and bring warmth. For me, this is not just work – it’s my world.
Interviewer: You not only illustrate, but also write books. Tell us about your recent work, "Twilight Tales on Halloween Night". Why did you publish it in English?
Tiana: "Twilight Tales on Halloween Night" is a collection of fairy tales that was born from the desire to create a slightly magical yet completely non-scary atmosphere for the youngest readers. The book is filled with warm stories that can be read on Halloween without fear, and I dreamed that every child could feel the joy and excitement of this mystical night. The book was published in English because Halloween holds special significance for many American families and is an important holiday in their culture. Since it is celebrated on a larger scale in the USA, I wanted my book to become part of that celebration, adding warm, kind stories to their traditions. Amazon also allows easy distribution to the international market, helping find readers where they are most interested in such tales.

Interviewer: Tell us about the birth of your characters. What is the process of creating them?
Tiana: Creating characters is a truly magical process for me. I easily come up with new heroes, as they are born in my imagination so frequently that sometimes it’s hard to choose just one. A multitude of images always lives in my head, and each one wants to become a part of the story. So, the biggest challenge is not in creating a character, but in choosing from the many that wish to come alive on paper.
Interviewer: Your pseudonym is Tiana Shevett. Tell us about it.
Tiana: My pseudonym, Tiana Shevett, was chosen not by accident – it sounds similar to my real name and surname, keeping their personal warmth. It’s not only about the sound, but also a part of me that I bring into each illustration and story, creating a world that is close and familiar both to me and my readers.

Interviewer: What are the working days of a children's illustrator like during russia's full-scale war against Ukraine? Where do you draw your inspiration from?
Tiana: I live in Kharkiv, which, unfortunately, is one of the most bombarded cities in Ukraine. Being an illustrator during the war is a constant struggle between the desire to create and the harsh reality, which often turns into hopelessness. There are days when it seems there’s no strength for anything, but once I pick up a pencil or stylus, the darkness gradually fades away. Inspiration comes in these moments – through drawings that become symbols of light and calm. I try to create warm images that can give hope to others and to myself as well.
Interviewer: How long do you work on one book? What is the most difficult and the easiest part of the process?
.jpg?token=vk683pmd5mwowjpqbbi6mhx7pai6kq6mra0tx558)
Tiana: It depends on the story itself. Some plots literally "flow" onto the paper within a few weeks, while others "ripen" for months or even years. The most difficult part is to combine the text, illustrations, and book formatting into one cohesive whole. It’s a meticulous, almost delicate process, but it has a special magic – it's like a therapy session. Working on a book brings a sense of relaxation, helps me concentrate, and even provides energy that’s sometimes lacking on other days.
Interviewer: Tell us about your series of sea portraits.
Tiana: My "Sea Portraits" series reflects my longing for the sea, as I currently don’t have the opportunity to leave Ukraine. It was also an interesting challenge to try something new in illustration and mix different styles. I experimented with textures and colors, creating the mood of the sea’s depth and tranquility, which fills the works with a special meaning and opens new horizons in creativity.

Interviewer: What books are you working on now? What can little readers expect this winter?
Tiana: I am currently working on a book with the working title "Rules of Behavior for Little Witches". It will be a fun and somewhat educational story that helps young readers learn about the rules of behavior and the importance of friendship, but through the magical world of witches. It’s designed to bring smiles and add a bit of magical atmosphere to winter readings. I believe this book will bring joy to children and become their little guide in the world of kind wizards!
.jpg?token=0710kdjy1ro0vnrtki9k0f9txd111jv7b6ih5b2k)
Interviewer: Out of everything you create, what do you enjoy the most? Why?
Tiana: I probably enjoy creating magical creatures the most. They have something special – they seem to embody my fantasies and help me reflect little magical worlds. Each character has its own life and personality, and this makes the illustration process very exciting. Drawing such heroes feels like creating a fairytale on paper, and it gives me a sense of freedom and joy.
Interviewer: Tell us about the message you want to convey to young readers.
Tiana: My message to young readers is about the importance of being yourself, valuing your uniqueness, and not being afraid to follow your dreams. I want children to understand that the world around can be wonderful and even a little magical if you believe in yourself and your abilities. Every creature, even a magical or imaginary one, has its own strengths, and that’s what makes us all important and interesting. I also want to convey the idea that reading a lot is the key to development. Books open new worlds, allow us to imagine the incredible, and help us better understand the world around us. Reading is an essential part of development and self-discovery.
Pictures were provided by Tiana Shevett
Kelsey Falconer is a Canadian actress and wood worker whose role as Tessa Cooper in The Way Home was not fully revealed on screen, but it shaped the actress’s portrayal of the character. What was important to Kelsey was that she never perceived Tessa through the lens of her mistakes. The character itself is, in fact, very deep and very real — there is no performative heroism in her, but rather the feeling of a real person moving through her own pain and love, making decisions in circumstances she could never have anticipated. An important part of her story is that the writers do not romanticize motherhood, but instead show it for what it can be — and the only thing you feel while watching is an inability to understand how anyone could treat a woman that way when she was not ready for it. Kelsey’s perception of the character and her empathy for her complexity played an important role in the Tessa we ultimately saw on screen. Beyond The Way Home, Kelsey has had roles in several TV shows, including Lenore Hunk on Fargo, Nurse Zoe on DOC, and she plays the title role in the upcoming film Celia as well as the lead role in the feature film Fortescue. Kelsey shared with our founder, Asya Radko, her own perspective on Tessa, the characters she personally connects with in The Way Home, woodworking, creative risk, and the roles she questions whether she would take on.
Devin Cecchetto is a Canadian singer and actress who recently released her first single from a four-song series, with each track representing a different stage of her life. The first release, “Desert Cold,” is a melancholic and nostalgic song with a strong cinematic feel. The song reflects on a period in Devin’s life when she was living in Los Angeles. As the artist herself described it, she felt caught somewhere between “everything around me is so bright and there’s so much going on” and a deep sense of loneliness. Devin spoke to our founder, Asya Radko, about that period of her life, the songwriting process, and her own artistic vision.
AJ Ingson is an American artist and craftsperson working in the fields of digital illustration and woodworking. One of the key aspects of their artistic practice is embracing mistakes and experimentation. When something needs to be changed in his illustrations or projects, they see it as an opportunity — the process of solving problems brings them half of the enjoyment because it allows them to refine their skills and improve their craft. One of their current projects explores genetics and the idea of inheritance through the lens of craftsmanship. They is fascinated by the idea that they can be both similar to their parents and, at the same time, not completely either one of them. AJ Ingson shared with us about the beginning of their creative journey, his current projects, and the values that guide them as an artist.
Sonny McCartney is a photographer who hopes that what he creates will live longer than he does. He describes his journey as passionate. From an early love of graphic design to music photography and eventually opening his own studio in his hometown of Liverpool, every step of Sonny’s 18-year career holds deep personal significance for him. When Sonny was younger, he moved to London because Liverpool did not yet have a photography studio like the one he would later go on to create himself. He believes that the role of a photographer should not cross ethical boundaries and feels that, unfortunately, paparazzi culture has cast a shadow over the profession as a whole. Throughout his career, he has remained committed to his own principles. One of Sonny’s most powerful projects is Don’t Mind Me, which explores mental health and documents the real-life experiences of people who have faced it. Through this work, he both filmed and photographed participants, creating an honest and deeply human record of their stories. Sonny spoke with Asya Radko, founder of Drive Music Media, about his project Don’t Mind Me, his work supporting artists after amputation and people with disabilities, the creation of his own studio, and what exists beyond the frame of his camera.
Angelina Spilnyk is a writer who believes that stories should not be simple. For her, literature is an opportunity to reveal new perspectives, challenge familiar ideas, and invite readers into a world where every layer hides another meaning. She is drawn to complexity, symbolism, and questions that rarely have straightforward answers.Whether writing about memory, migration, war, technology, or identity, Spilnyk explores the connections between personal experience and the broader forces shaping our lives. Her work ranges from therapeutic fiction and poetry to speculative narratives that examine humanity's future and the societies we build.Her stories have appeared in several Ukrainian anthologies, including Light Between the Lines, Beyond Yourself, and Prose of a New Era. Alongside her shorter works, she is currently developing her epic poem Peccata Mundi and her debut novel Steppe Stork.About her literary journey, the challenges facing contemporary Ukrainian writers, the stories closest to her heart, and the mission she carries as an author, Angelina Spilnyk spoke with Drive Music Media.