© 2026
.jpg?token=h7x0vgqz6hxa6y85r5hezfx5ob1qe5bqmthkcoj6)
Irina Chaika is a Ukrainian artist and decorative-applied arts teacher who co-founded the Miracle Bird studio abroad with Ukrainian artist Veronika Serhiienko during forced migration due to russia’s war against Ukraine. The main goal of the studio was to support people who had lost their homes, focusing primarily on applied arts and art therapy. Due to relocating to another city, Irina had to hand over her managerial responsibilities at the studio. Currently, she is actively working on new paintings and commissioned artworks. In February of this year, she participated in the annual Grand Parade carnival in Limassol, where she created fantasy-themed costumes inspired by the works of Ukrainian artist Maria Prymachenko. Irina shared with Drive Music Media the story of her artistic journey, the founding of her art studio in Cyprus, and her experience at the annual carnival.
Interviewer: How and when did your artistic career begin? Why did you choose this field?
Irina: Art has been passed down through generations in my familymy – great-grandmother, grandfather, and my father, who was also a writer, were all artists. Growing up in a home filled with art supplies, I naturally saw myself as an artist from an early age.

Interviewer: During your migration, you founded your own art studio in Paphos, Cyprus. Can you share the process of establishing it, the challenges you faced, and the feedback you received from the locals?
Irina: I originally founded my first studio, Miracle Bird, in Mykolaiv. When the COVID pandemic forced people to stay at home in early 2019, I had to move my studio's classes online. That’s when some of my friends from Mykolaiv, who had already moved to Cyprus, asked to join my online lessons. In the summer of 2021, we visited them and planned to return in April 2022. However, the full-scale invasion changed everything. In the first week of the war, russian troops began surrounding Mykolaiv, and on March 3, 2022, we were forced to leave Ukraine.
Art is essential – people always have cultural and spiritual needs, as well as the desire to create beauty. Responding to this need, we established an art studio in Paphos, Cyprus. The studio became a reality thanks to my friends, students, and the support of Ukrainian artist Veronika Cherniienko, who has been living in Cyprus for over ten years.

In April 2022, Veronika and I founded "Miracle Bird", starting with plein air painting sessions in the park. Spring was on our side, as the summer heat made outdoor activities almost impossible. Word-of-mouth worked well – our students' friends started joining us, and social media helped spread the word. One key moment was when Yulia Piddubna, the head of the Ukrainian House in Paphos (which was initially a humanitarian aid center), noticed our work online and invited us to move our studio there. That was when our cultural activities truly took off. We organized masterclasses, creative meetups, and exhibitions. Beyond the art studio, I also took on a broader role, coordinating events that brought the Ukrainian community together. That’s how I became the project manager of the Ukrainian House. Many people who had fled Ukraine with their children were unsure of their next steps and needed warmth, support, and a space to escape their worries. This is where my professional background in Decorative and Applied Arts from KNUKiM came in handy. We focused on applied arts and art therapy, incorporating techniques I had developed while working with children with disabilities in Mykolaiv.
For many, Cyprus was only a temporary refuge, as there is no financial support program for Ukrainian refugees and displaced persons. Many eventually left, but I stayed – thanks to our studio and my work at the Ukrainian House.
Interviewer: What was the structure of your program for students? What inspired you in creating it?
Irina: One crucial aspect of migration, in my opinion, is recognizing that you represent an entire nation. It is important for Ukrainian migrants to foster a positive image – showing that we are cultured, educated, strong, and willing to share our knowledge and kindness. Gradually, our studio began to attract local Pontic Greeks, followed by Cypriots. We started with a few painting masterclasses, and soon, they were bringing their children to join us. This cultural exchange became a key part of integrating Ukrainian and Cypriot traditions. In our children's lessons, we explored Ukrainian fairy tales and illustrated their characters. We also introduced them to renowned Ukrainian artists such as Arkhip Kuindzhi, Ivan Aivazovsky, Maria Prymachenko, and Liubov Panchenko. A fundamental part of the program was also studying European art, including masters like Vincent van Gogh. As Taras Shevchenko once wrote:
"Learn from others, but do not forget your own".
Following this principle, we also incorporated Cypriot art into our curriculum, ensuring a well-rounded artistic and cultural experience.

As artists and war-displaced individuals, we have an important mission: to tell the world about the horrors happening in our homeland. Art is a powerful tool – it allows us to reach people on a deep emotional level. On May 15, 2022, the PEACE FESTIVAL Charity Festival Art for Peace took place on the Molos promenade in Limassol. Veronika and I organized a performance involving passersby, where we collectively painted a large triptych – a "coloring mural" based on the works of Ukrainian artist Liubov Panchenko, who tragically died in April 2022 in occupied Bucha. This triptych is now displayed at the Ukrainian House in Paphos. The goal of this performance was to draw attention to the ongoing war in Ukraine, which continues to destroy our artists and cultural heritage.

Interviewer: You are starting over again after moving to a new city. Where are you now in this process? Do you plan to open another studio? What would you like to change based on your previous experience?
Irina: I recently relocated to Nicosia, the capital of Cyprus, and I strongly feel the need to create a new studio here because people need it.
For now, I’ve set up an informational Telegram group, "Events in Nicosia", where I share announcements about Ukrainian cultural events in the city. I am also working on various commissioned pieces, including painting, embroidery, and patchwork. One of my major ongoing projects is a large tapestry titled "Zemlia" (ed. – Earth), which I started back in Paphos. It is a deeply symbolic and energy-charged piece: anyone who wishes for Ukraine’s victory can tie a thread to it. Against the backdrop of a blue and yellow sky and field, two red double diamonds – traditional Ukrainian embroidery motifs – stand out. Within these diamonds, the letters of Ukraine’s coat of arms form the word "VOLIA" (ed. – Freedom). The tapestry is adorned with poppies, symbolizing the blood of those who have sacrificed for our land and freedom. My calling is working with people and teaching.
When I follow this path, many opportunities open up for me. And, of course, creativity for myself – for the soul. Regarding my creative painting, I currently create artworks only on commission. I am most inspired by folk art, applied arts, and everything related to textiles. I enjoy creating contemporary works based on the historical foundation of our cultural heritage. During the war, I gained a clear understanding of who I am and what I should do with all the knowledge I have. Right now, I truly realize the treasure I possess and the path I must take.
The Cypriot art community has received my work very well. In 2023, my tapestry Sunflower was presented at the joint exhibition of Paphos artists, Re.Mix –An Artist’s Choice.

Interviewer: Tell me about a painting that has special meaning for you. What is its name, and why does it matter to you?
Irina: When asked about my favorite paintings, I must say there are actually two. The first one, titled "Ecological Regatta for the Kinburn Spit Cup", hangs in my home in Mykolaiv. Right now, it serves as a guardian for displaced people from Kherson who are living in my apartment.

The second one is "Heron" – a white beauty against a backdrop of reeds and water. In a way, it feels like a self-portrait. This painting is also in Mykolaiv, but I gifted it to Viktoriia Opolinskyi, a volunteer from the organization Crazy Bees, which bakes goods for our defenders on the front lines. Before the war, she really wanted to buy this painting, but I set a very high price because I wanted to keep it. However, in 2022, I felt the need to support Viktoriia and express my gratitude for her important work by giving her the painting as a gift.
Interviewer: What is your mission as an artist? Why this particular mission?
Irina: Time and again, after conversations or events, I hear people say, Iryna, you inspire me. That’s why my mission as an artist is to inspire others.
Interviewer: What word best describes your art? Why?
Irina: My art is quite diverse – I work with different materials and techniques. But if I had to sum it up in one word, it would be WIND. I personally love having open space around me, room to move freely – perhaps because I’m 1.74 meters tall with a matching wingspan! But jokes aside, the sky and the sea give me strength. In my work, I strive to convey that sense of air and freedom. It’s no coincidence that I chose Seagull as my artistic pseudonym.
Pictures were provided by Irina Chaika
Devin Cecchetto is a Canadian singer and actress who recently released her first single from a four-song series, with each track representing a different stage of her life. The first release, “Desert Cold,” is a melancholic and nostalgic song with a strong cinematic feel. The song reflects on a period in Devin’s life when she was living in Los Angeles. As the artist herself described it, she felt caught somewhere between “everything around me is so bright and there’s so much going on” and a deep sense of loneliness. Devin spoke to our founder, Asya Radko, about that period of her life, the songwriting process, and her own artistic vision.
AJ Ingson is an American artist and craftsperson working in the fields of digital illustration and woodworking. One of the key aspects of their artistic practice is embracing mistakes and experimentation. When something needs to be changed in his illustrations or projects, they see it as an opportunity — the process of solving problems brings them half of the enjoyment because it allows them to refine their skills and improve their craft. One of their current projects explores genetics and the idea of inheritance through the lens of craftsmanship. They is fascinated by the idea that they can be both similar to their parents and, at the same time, not completely either one of them. AJ Ingson shared with us about the beginning of their creative journey, his current projects, and the values that guide them as an artist.
Sonny McCartney is a photographer who hopes that what he creates will live longer than he does. He describes his journey as passionate. From an early love of graphic design to music photography and eventually opening his own studio in his hometown of Liverpool, every step of Sonny’s 18-year career holds deep personal significance for him. When Sonny was younger, he moved to London because Liverpool did not yet have a photography studio like the one he would later go on to create himself. He believes that the role of a photographer should not cross ethical boundaries and feels that, unfortunately, paparazzi culture has cast a shadow over the profession as a whole. Throughout his career, he has remained committed to his own principles. One of Sonny’s most powerful projects is Don’t Mind Me, which explores mental health and documents the real-life experiences of people who have faced it. Through this work, he both filmed and photographed participants, creating an honest and deeply human record of their stories. Sonny spoke with Asya Radko, founder of Drive Music Media, about his project Don’t Mind Me, his work supporting artists after amputation and people with disabilities, the creation of his own studio, and what exists beyond the frame of his camera.
Angelina Spilnyk is a writer who believes that stories should not be simple. For her, literature is an opportunity to reveal new perspectives, challenge familiar ideas, and invite readers into a world where every layer hides another meaning. She is drawn to complexity, symbolism, and questions that rarely have straightforward answers.Whether writing about memory, migration, war, technology, or identity, Spilnyk explores the connections between personal experience and the broader forces shaping our lives. Her work ranges from therapeutic fiction and poetry to speculative narratives that examine humanity's future and the societies we build.Her stories have appeared in several Ukrainian anthologies, including Light Between the Lines, Beyond Yourself, and Prose of a New Era. Alongside her shorter works, she is currently developing her epic poem Peccata Mundi and her debut novel Steppe Stork.About her literary journey, the challenges facing contemporary Ukrainian writers, the stories closest to her heart, and the mission she carries as an author, Angelina Spilnyk spoke with Drive Music Media.
Danyil Shpudeiko is a Ukrainian poet, songwriter, and co-founder of the band “Tonkyi Marsh” — a project that emerged not from a calculated career plan, but from a need to transform thoughts, social tension, and personal freedom into music. Having spent most of his conscious life in sports before unexpectedly stepping into the music industry, Danik never considered himself a traditional musician. For him, music became a channel for poetry, reflection, and honest conversations about society, politics, inner conflict, and identity. Together with his bandmates, he built “Tonkyi Marsh” as a space where lyrics matter more than trends and where songs are meant not simply to entertain, but to provoke thought and emotional response. Danik shared with Drive Music Media the story behind the band’s creation, the philosophy of their music, the meanings hidden inside the mini-album Painted Souls, the challenges of creating art during wartime in Ukraine, and why freedom remains the defining word of his art.