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Sofia Livotov is a German opera singer who believes that opera can transport people to another world. The goal of becoming a leading singer has come true, and now Sofia shines on the stage of Opera North. Also, the singer actively supports Ukraine. She is one of the founders of the "Help Musicians Ukraine" network, which helps Ukrainian musicians find a home, a place to practice music.
Interviewer: Let's go back a little to your childhood. The musical sphere has always attracted you or did you not know that you would connect your life with music? How did you decide to become an opera singer? Why Opera?
Sofia: Classical music has been a significant part of my life since childhood. At the age of five, I began learning the piano, and I was fortunate to attend opera and ballet performances early on with my family. While piano was a serious undertaking for me, singing started as more of a hobby. When I turned thirteen, I joined the Hannover Girls Choir, which allowed me to learn a lot of choral repertoire and go on concert tours to Canada and Norway as a teenager. It was during this time that my love for art songs, especially those by Schumann and Schubert, grew stronger. After completing high school, I was accepted at the Hanover University of Music, Drama, and Media to study piano. However, while accompanying other singers, I found myself yearning to be in their shoes. I soon made the decision to pursue my dream of becoming an opera singer and switched my focus to vocal performance. I believe that opera is a truly magnificent musical genre, as it seamlessly blends numerous art forms. With singing, orchestral music, dancing, visual arts, costume design, and technology, opera is a multi-sensory experience that has the power to transport audiences to another world. This genre can also be made accessible to people of all ages and backgrounds, as its themes often explore universal emotions, relatable social issues, and contemporary topics. Overall, I believe that opera has the power to move and inspire audiences in ways that few other art forms can. Its ability to combine so many different forms of expression makes it a truly amazing and versatile genre that can connect with people on a deep and meaningful level.
Interviewer: What was the first big project you worked on?
Sofia: During my student years, I had the pleasure of performing as a soloist in Haydn's oratorio The Creation with the Sinfonietta Zurich under the baton of Joao Santos. Being able to sing the soprano solo part in one of Haydn's most significant works was a defining moment in my early career and will always remain a cherished highlight. I have always been thrilled by the versatility of a classical singer's career, which can encompass a wide range of pursuits beyond opera, including oratorio, art song recitals, contemporary performance, as well as teaching. I believe that versatility is a valuable asset for any artist, and I am no exception. Personally, I find fulfilment in engaging in all these aspects of the vocal repertoire and would never limit myself to just one area. The opportunity to continually explore new styles and genres is what keeps me inspired and motivated as a singer.
Interviewer: In June, you perfomed in the outstanding musical drama "Parsifal" by Wagner. Let's talk about this production at Opera North. What were the peculiarities of working with an already formed musical troupe?

Sofia: In June 2022, I had the pleasure of joining the Chorus of Opera North for their production of Wagner's Parsifal. It was an incredible experience working with such talented singers, as well as conductor Richard Farnes and director Sam Brown. Not only was the musical level of the production outstanding, but the atmosphere among the chorus and the entire Opera North team was warm and collegial. As a guest in a permanent ensemble, it was especially meaningful to feel so welcomed. This was also my first time performing in a Wagner opera, and being part of such an important production was truly special. I am therefore thrilled to return to Opera North for the current year.
Interviewer: What fascinates you about Indonesian art songs. We know that one of the albums was dedicated to this genre.
Sofia: During my studies at the Conservatorium van Amsterdam, my partner and fellow student Satriya Krisna, an opera singer from Indonesia, introduced me to Indonesian art songs, a genre known as "Seriosa" that is deeply rooted in Indonesian history and legends. I was immediately captivated by their beauty and musical intensity. After performing some of these songs on a concert tour in Indonesia in 2019, we felt compelled to share this genre with a wider audience. We joined forces with pianists Prajna Indrawati and Felix Justin to record a couple of songs, which are little-known outside of Indonesia, and make them more accessible to European listeners. Despite the challenges posed by the pandemic, we managed to record a short album, "Sounds of Indonesia" at various locations in London. We were thrilled to receive positive feedback and even had some of our recordings played on radio stations in Canada, Germany, and Austria. Our next goal is to record a full CD that will include more music by Indonesian women composers.
Interviewer: You are Ukrainian supporter. It's important that our German friends help us to protect our country in the war with Russia. Tell us more about your help to Ukrainians in cooperation with international colleagues as part of the Help Musicicans Ukraine network? I would like to know more about the project itself. How can people help?
Sofia: Help Musicians Ukraine is an initiative we started at the beginning of the war in February 2022. Back then, my friends and colleagues, Polish pianist Aleksandra Bobrowska and Greek soprano Danae Eleni, helped a group of Ukrainian musicians achieve the Jacob Shaw-established Scandinavian Cello School Emergency Residency in Denmark. As a growing group of international artists, starting with our personal and professional networks and the BYOM Academy community, we have developed a network of musical friends who can help arrange safe passage through Europe to residency places, further study or family and friends. All money raised through fundraising concerts and crowdfunding goes directly to helping Ukrainian musicians as they try to rebuild their lives and continue to practice their craft. In the beginning I was helping with translation work as I am fluent in German, Russian and English. However, soon came visa applications, travel assistance, university applications and everything that goes with it when people must leave their home country and move to a new country where they don't know anyone and sometimes don't speak their language either. When working as a team at HMU we hope that by supporting our fellow musicians from Ukraine whose world has been turned upside down, we will help build a supportive community in the classical music world as well. Who knows, maybe there will even be collaborations with some of the artists we enabled to continue working! If people would like to help, they are welcome to get in touch with us through our website or Facebook page. In the meantime, we have been able to support over 100 musicians in various ways, but of course there are many more people who need help.
Interviewer: Do you have new projects that you plan to work on? What are the future plans?
Sofia: After joining Opera North for their acclaimed production of Parsifal in 2022, I'm very happy to return as a member of the Chorus for this year's exciting line-up of productions, including Tosca, The Pearl Fishers, and Mozart Requiem. Currently, I am enjoying performing the role of the Owl in Janáček’s opera The Cunning Little Vixen. In addition to my operatic engagements, I collaborate with the Berlin based pianist Natalia Pegarkova-Barenboim on various recital programs. Our ensemble, Duo Primevère, focuses on music by women composers. This summer, I also plan to return to Indonesia with tenor Satriya Krisna and pianist Prajna Indrawati to present a new program.I am curious to see what the future will bring, and I look forward to continuing to share my passion for music with my audience.
Photo taken by social networks of Sofia Livotov
Danik Shpydeiko is a Ukrainian poet, songwriter, and co-founder of the band “Tonkyi Marsh” — a project that emerged not from a calculated career plan, but from a need to transform thoughts, social tension, and personal freedom into music. Having spent most of his conscious life in sports before unexpectedly stepping into the music industry, Danik never considered himself a traditional musician. For him, music became a channel for poetry, reflection, and honest conversations about society, politics, inner conflict, and identity. Together with his bandmates, he built “Tonkyi Marsh” as a space where lyrics matter more than trends and where songs are meant not simply to entertain, but to provoke thought and emotional response. Danik shared with Drive Music Media the story behind the band’s creation, the philosophy of their music, the meanings hidden inside the mini-album Painted Souls, the challenges of creating art during wartime in Ukraine, and why freedom remains the defining word of his art.
On April 27, the British indie-rock band MOSAICS held a launch party at the concert venue of the pub The Lower Third to celebrate the release of their debut album “A Guiding Life”, which began in July 2025. The album includes five tracks: “Godspeed,” “Heaven Knows,” “A Thousand Faces,” “Sing Me to Sleep,” and “Different People” — one of which, “Different People,” was performed as a duet with James McCartney. The album was released with the involvement of sound engineer George Lloyd-Owen, mixing by Lue Stylianou, mastering by Matt Colton, and publishing by Xaccuti Productions. The atmosphere of MOSAICS’ concerts has a way of pulling you inward — somewhere deep into your own thoughts. During “Different People,” it feels like a quiet conversation with yourself: about how you change as the world around you shifts, and how following your dreams brings both outcomes and losses. One of the most striking lines — “All these city lights have really taken their toll” — becomes a precise metaphor for the experience of moving, which lies at the heart of the song. To mark the release of their first album, James joined MOSAICS at the launch party and also performed one of his new songs, “Angeles.” Discover the atmosphere of MOSAICS’ concert this Monday in a report by our founder, Asya Radko.
Cherepanov is a Ukrainian guitarist, songwriter, and one of the key figures in Kyiv’s alternative underground scene — a musician who doesn’t just play music, but builds an entire ecosystem around it. From early inspiration Pet Shop Boys to founding bands, organizing concerts for international acts, and running the iconic Kyiv based art-space “Tepliy Lampoviy,” his journey reflects a deep commitment to creative freedom and community. As a member of Spokusy and Aghiazma, and the mind behind numerous cultural initiatives, he continues to shape the sound and spirit of a new Ukrainian wave — raw, emotional, and unapologetically independent. In this interview, Cherepanov speaks about his musical beginnings, balancing multiple projects, creating during wartime, and why his entire creative path can be summed up in one word: afterparty.
David Webster is a Canadian actor and a star of The Way Home, a TV series from The Hallmark Channel, who believes that independent films with little or no budget — but with a strong script — are the purest form of love for the craft, and that established actors should take part in them. He also writes his own scripts and plans to make films, so he understands the true value of independent movies — driven purely by the passion of people willing to overcome hardships to bring them to life. With the first episode of the new season of The Way Home already out, David decided to share insights into his approach to understanding his characters. David’s character, Elliot Augustine, is like a book of secrets — forced to carry the burdens of the entire Landry family and to know the outcome of every story in advance, including his own. To better understand the character, he created an “Elliot playlist” and listened to music between takes, essentially living through Elliot’s life events through the lens of sound. The tracks began with something lighter and gradually shifted into more melancholic and dramatic tones. David shared with the founder of Drive Music Media Asya Radko how it all began for him, what the series means to him personally, the roles that changed his life, and his experience working on independent films.
Gravity Settings is a Ukrainian electronic music producer and DJ whose artistic focus is centered on atmospheric dark sound and experimental approaches to electronic music. His journey into music began in 2018 in the town of Novoyavorivsk in the Lviv region, where he started exploring music production and DJing after meeting fellow musician Ivan Hrytsyna (DJ ShON). What began with early experiments in FL Studio and small apartment DJ sets gradually evolved into a deeper study of music theory and sound design. Today, Gravity Settings develops a sonic identity built around deep, dark, and immersive textures, combining elements of techno, progressive, and experimental electronic music. His track “Ping Pong” became an important milestone in his career after receiving attention from sound engineers and radio airplay, motivating him to continue developing his work. In an interview with Drive Music Media, Gravity Settings spoke about the origins of his alias, his interest in dark sound aesthetics, the challenges of working in the music industry during wartime, collaboration with Ukrainian producer QUASAR-89, and his ongoing search for new sonic forms in electronic music.