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Interviewer: The first question is somewhat banal, but it is simply impossible without it. Rustem, how did your creative career in ceramic art begin? Why did you decide to connect your life with this field?
Rustem: From early childhood I had a great interest in applied arts. Everything that could be made by hand from improvised materials, I used with pleasure in my work. Plasticine modeling, wood carving, chasing and much more. Thanks to my family and their support in my endeavors, I have determined my path. My family always knew what to give me. The materials, tools, books that I used with pleasure for creativity shaped me as an artist.
Interviewer: How did you manage to open your own studio "El-Cheber" just a year after moving to the capital? What difficulties did you have to face on the way to the discovery? 2014 is a rather stormy year. Moreover, you have become a participant of Euromaidan. I think it is worth reminding..

Rustem: The tragic history of my people over the past few centuries is inextricably linked with aggression from Tsarist Russia, the Soviet Union, and now the Russian Federation. The events that took place in Ukraine in 2014 caused great concern. After the seizure of the Supreme Council of Crimea in Simferopol, the appearance of Russian military equipment on the streets of Crimean cities, I decided to evacuate my family to the mainland and bring my collection of applied art, which I had been collecting for 15 years, to the mainland as well. For the first few months, the situation in the country was difficult, there was no order, and my appeals to state institutions with a request for assistance in allocating premises for their activities unfortunately did not yield results. Ordinary citizens of Ukraine did not receive support from the state, my friends and acquaintances helped me find commercial premises in Kyiv. Having rented an office, I began to restore my creative activity, redraw documents, re-registered my public organization, enterprise and bank account. This also caused great difficulties for the first refugees, the country was not ready for such problems.

Interviewer: How did the situation in Crimea affect your future work? You became a volunteer of the "Crimea SOS" project, tell us a little more about your role in it.
Rustem: In 2014, I took part in the Simferopol Euromaidan, anxiously watched the events that took place in the capital, and was in constant contact with my friends in Kyiv. At the end of February 2014 My friends in Kyiv organized a community center “Crimea SOS” which took responsibility for the communication of migrants from Crimea. Having phoned them and deciding to leave, “Crimea SOS” organized the move and met us in the capital. The next day I came to their office and volunteered to work. At first, they received calls to the hotline, met and accommodated the displaced persons, in parallel, I gave interviews covering the events that took place in Crimea. A few months later, he organized a protest exhibition, focusing on our cultural self-identity, which was once again subject to annexation and destruction.

Interviewer: Being an artist is one thing, teaching is another. For some time, you taught at the "Chelmekchilyer" children's studio. What is teaching for you? Opening new horizons for yourself and others in your own field, or just ordinary work.
Rustem: The value of knowledge is important not only for history but also for the development of the nation, therefore the continuity and transfer of knowledge is the main task of all masters of the bearers of the traditions of the people. It is with great pleasure and awe that I pass on this experience of generations by continuing to educate young people for whom their homeland is not indifferent.
Interviewer: You were a participant of the festival in Toronto. Tell us about your experience, what was remembered the most.
Rustem: Participation in international festivals allows you to look at yourself from the outside, get to know other cultures, gain new knowledge and share your own. The festival in Toronto was a dream for me, and the main purpose of the trip was to get acquainted and study the experience of Ukrainian emigrants who, being far from their homeland, retained their identity in spite of everything. Also acquaintance with the indigenous people of Canada - the Indians and their experience.

Interviewer: After the full-scale invasion of Russia on the territory of Ukraine, what has changed in your creative activity? How do you manage in such difficult times to continue your ceramic work and help the preserved cultures, despite the military actions?
Rustem: After Russia's massive invasion of Ukraine and the start of the war. For the first month I was engaged in the evacuation of people from Kyiv and the Kyiv region, took refugees to the station. Delivered humanitarian aid. In the evenings and nights during the curfew, I drew posters in digital format, based on the result I made a project. Understanding that Victory, the desire for justice and freedom depends on each of us gives strength and self-confidence. Admiration for people who united in achieving goals inspire and give hope for our victory.
Photo sources: The Day and Ukrainian Fashion Week
On April 27, the British indie-rock band MOSAICS held a launch party at the concert venue of the pub The Lower Third to celebrate the release of their debut album “A Guiding Life”, which began in July 2025. The album includes five tracks: “Godspeed,” “Heaven Knows,” “A Thousand Faces,” “Sing Me to Sleep,” and “Different People” — one of which, “Different People,” was performed as a duet with James McCartney. The album was released with the involvement of sound engineer George Lloyd-Owen, mixing by Lue Stylianou, mastering by Matt Colton, and publishing by Xaccuti Productions. The atmosphere of MOSAICS’ concerts has a way of pulling you inward — somewhere deep into your own thoughts. During “Different People,” it feels like a quiet conversation with yourself: about how you change as the world around you shifts, and how following your dreams brings both outcomes and losses. One of the most striking lines — “All these city lights have really taken their toll” — becomes a precise metaphor for the experience of moving, which lies at the heart of the song. To mark the release of their first album, James joined MOSAICS at the launch party and also performed one of his new songs, “Angeles.” Discover the atmosphere of MOSAICS’ concert this Monday in a report by our founder, Asya Radko.
Cherepanov is a Ukrainian guitarist, songwriter, and one of the key figures in Kyiv’s alternative underground scene — a musician who doesn’t just play music, but builds an entire ecosystem around it. From early inspiration Pet Shop Boys to founding bands, organizing concerts for international acts, and running the iconic Kyiv based art-space “Tepliy Lampoviy,” his journey reflects a deep commitment to creative freedom and community. As a member of Spokusy and Aghiazma, and the mind behind numerous cultural initiatives, he continues to shape the sound and spirit of a new Ukrainian wave — raw, emotional, and unapologetically independent. In this interview, Cherepanov speaks about his musical beginnings, balancing multiple projects, creating during wartime, and why his entire creative path can be summed up in one word: afterparty.
David Webster is a Canadian actor and a star of The Way Home, a TV series from The Hallmark Channel, who believes that independent films with little or no budget — but with a strong script — are the purest form of love for the craft, and that established actors should take part in them. He also writes his own scripts and plans to make films, so he understands the true value of independent movies — driven purely by the passion of people willing to overcome hardships to bring them to life. With the first episode of the new season of The Way Home already out, David decided to share insights into his approach to understanding his characters. David’s character, Elliot Augustine, is like a book of secrets — forced to carry the burdens of the entire Landry family and to know the outcome of every story in advance, including his own. To better understand the character, he created an “Elliot playlist” and listened to music between takes, essentially living through Elliot’s life events through the lens of sound. The tracks began with something lighter and gradually shifted into more melancholic and dramatic tones. David shared with the founder of Drive Music Media Asya Radko how it all began for him, what the series means to him personally, the roles that changed his life, and his experience working on independent films.
Gravity Settings is a Ukrainian electronic music producer and DJ whose artistic focus is centered on atmospheric dark sound and experimental approaches to electronic music. His journey into music began in 2018 in the town of Novoyavorivsk in the Lviv region, where he started exploring music production and DJing after meeting fellow musician Ivan Hrytsyna (DJ ShON). What began with early experiments in FL Studio and small apartment DJ sets gradually evolved into a deeper study of music theory and sound design. Today, Gravity Settings develops a sonic identity built around deep, dark, and immersive textures, combining elements of techno, progressive, and experimental electronic music. His track “Ping Pong” became an important milestone in his career after receiving attention from sound engineers and radio airplay, motivating him to continue developing his work. In an interview with Drive Music Media, Gravity Settings spoke about the origins of his alias, his interest in dark sound aesthetics, the challenges of working in the music industry during wartime, collaboration with Ukrainian producer QUASAR-89, and his ongoing search for new sonic forms in electronic music.
Mia Marchenko is a Ukrainian writer who closely intertwines personal loss with her creative work. Her book City of Shadows was born after the loss of her mother and became a way for her to process that grief. Mia shared with Drive Music Media about her book City of Shadows, her first experience of co-authoring, and the literary worlds she creates.