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Interviewer: The first question is somewhat banal, but it is simply impossible without it. Rustem, how did your creative career in ceramic art begin? Why did you decide to connect your life with this field?
Rustem: From early childhood I had a great interest in applied arts. Everything that could be made by hand from improvised materials, I used with pleasure in my work. Plasticine modeling, wood carving, chasing and much more. Thanks to my family and their support in my endeavors, I have determined my path. My family always knew what to give me. The materials, tools, books that I used with pleasure for creativity shaped me as an artist.
Interviewer: How did you manage to open your own studio "El-Cheber" just a year after moving to the capital? What difficulties did you have to face on the way to the discovery? 2014 is a rather stormy year. Moreover, you have become a participant of Euromaidan. I think it is worth reminding..

Rustem: The tragic history of my people over the past few centuries is inextricably linked with aggression from Tsarist Russia, the Soviet Union, and now the Russian Federation. The events that took place in Ukraine in 2014 caused great concern. After the seizure of the Supreme Council of Crimea in Simferopol, the appearance of Russian military equipment on the streets of Crimean cities, I decided to evacuate my family to the mainland and bring my collection of applied art, which I had been collecting for 15 years, to the mainland as well. For the first few months, the situation in the country was difficult, there was no order, and my appeals to state institutions with a request for assistance in allocating premises for their activities unfortunately did not yield results. Ordinary citizens of Ukraine did not receive support from the state, my friends and acquaintances helped me find commercial premises in Kyiv. Having rented an office, I began to restore my creative activity, redraw documents, re-registered my public organization, enterprise and bank account. This also caused great difficulties for the first refugees, the country was not ready for such problems.

Interviewer: How did the situation in Crimea affect your future work? You became a volunteer of the "Crimea SOS" project, tell us a little more about your role in it.
Rustem: In 2014, I took part in the Simferopol Euromaidan, anxiously watched the events that took place in the capital, and was in constant contact with my friends in Kyiv. At the end of February 2014 My friends in Kyiv organized a community center “Crimea SOS” which took responsibility for the communication of migrants from Crimea. Having phoned them and deciding to leave, “Crimea SOS” organized the move and met us in the capital. The next day I came to their office and volunteered to work. At first, they received calls to the hotline, met and accommodated the displaced persons, in parallel, I gave interviews covering the events that took place in Crimea. A few months later, he organized a protest exhibition, focusing on our cultural self-identity, which was once again subject to annexation and destruction.

Interviewer: Being an artist is one thing, teaching is another. For some time, you taught at the "Chelmekchilyer" children's studio. What is teaching for you? Opening new horizons for yourself and others in your own field, or just ordinary work.
Rustem: The value of knowledge is important not only for history but also for the development of the nation, therefore the continuity and transfer of knowledge is the main task of all masters of the bearers of the traditions of the people. It is with great pleasure and awe that I pass on this experience of generations by continuing to educate young people for whom their homeland is not indifferent.
Interviewer: You were a participant of the festival in Toronto. Tell us about your experience, what was remembered the most.
Rustem: Participation in international festivals allows you to look at yourself from the outside, get to know other cultures, gain new knowledge and share your own. The festival in Toronto was a dream for me, and the main purpose of the trip was to get acquainted and study the experience of Ukrainian emigrants who, being far from their homeland, retained their identity in spite of everything. Also acquaintance with the indigenous people of Canada - the Indians and their experience.

Interviewer: After the full-scale invasion of Russia on the territory of Ukraine, what has changed in your creative activity? How do you manage in such difficult times to continue your ceramic work and help the preserved cultures, despite the military actions?
Rustem: After Russia's massive invasion of Ukraine and the start of the war. For the first month I was engaged in the evacuation of people from Kyiv and the Kyiv region, took refugees to the station. Delivered humanitarian aid. In the evenings and nights during the curfew, I drew posters in digital format, based on the result I made a project. Understanding that Victory, the desire for justice and freedom depends on each of us gives strength and self-confidence. Admiration for people who united in achieving goals inspire and give hope for our victory.
Photo sources: The Day and Ukrainian Fashion Week
Sonny McCartney is a photographer who hopes that what he creates will live longer than he does. He describes his journey as passionate. From an early love of graphic design to music photography and eventually opening his own studio in his hometown of Liverpool, every step of Sonny’s 18-year career holds deep personal significance for him. When Sonny was younger, he moved to London because Liverpool did not yet have a photography studio like the one he would later go on to create himself. He believes that the role of a photographer should not cross ethical boundaries and feels that, unfortunately, paparazzi culture has cast a shadow over the profession as a whole. Throughout his career, he has remained committed to his own principles. One of Sonny’s most powerful projects is Don’t Mind Me, which explores mental health and documents the real-life experiences of people who have faced it. Through this work, he both filmed and photographed participants, creating an honest and deeply human record of their stories. Sonny spoke with Asya Radko, founder of Drive Music Media, about his project Don’t Mind Me, his work supporting artists after amputation and people with disabilities, the creation of his own studio, and what exists beyond the frame of his camera.
Angelina Spilnyk is a writer who believes that stories should not be simple. For her, literature is an opportunity to reveal new perspectives, challenge familiar ideas, and invite readers into a world where every layer hides another meaning. She is drawn to complexity, symbolism, and questions that rarely have straightforward answers.Whether writing about memory, migration, war, technology, or identity, Spilnyk explores the connections between personal experience and the broader forces shaping our lives. Her work ranges from therapeutic fiction and poetry to speculative narratives that examine humanity's future and the societies we build.Her stories have appeared in several Ukrainian anthologies, including Light Between the Lines, Beyond Yourself, and Prose of a New Era. Alongside her shorter works, she is currently developing her epic poem Peccata Mundi and her debut novel Steppe Stork.About her literary journey, the challenges facing contemporary Ukrainian writers, the stories closest to her heart, and the mission she carries as an author, Angelina Spilnyk spoke with Drive Music Media.
Danyil Shpudeiko is a Ukrainian poet, songwriter, and co-founder of the band “Tonkyi Marsh” — a project that emerged not from a calculated career plan, but from a need to transform thoughts, social tension, and personal freedom into music. Having spent most of his conscious life in sports before unexpectedly stepping into the music industry, Danik never considered himself a traditional musician. For him, music became a channel for poetry, reflection, and honest conversations about society, politics, inner conflict, and identity. Together with his bandmates, he built “Tonkyi Marsh” as a space where lyrics matter more than trends and where songs are meant not simply to entertain, but to provoke thought and emotional response. Danik shared with Drive Music Media the story behind the band’s creation, the philosophy of their music, the meanings hidden inside the mini-album Painted Souls, the challenges of creating art during wartime in Ukraine, and why freedom remains the defining word of his art.
On April 27, the British indie-rock band MOSAICS held a launch party at the concert venue of the pub The Lower Third to celebrate the release of their debut album “A Guiding Life”, which began in July 2025. The album includes five tracks: “Godspeed,” “Heaven Knows,” “A Thousand Faces,” “Sing Me to Sleep,” and “Different People” — one of which, “Different People,” was performed as a duet with James McCartney. The album was released with the involvement of sound engineer George Lloyd-Owen, mixing by Lue Stylianou, mastering by Matt Colton, and publishing by Xaccuti Productions. The atmosphere of MOSAICS’ concerts has a way of pulling you inward — somewhere deep into your own thoughts. During “Different People,” it feels like a quiet conversation with yourself: about how you change as the world around you shifts, and how following your dreams brings both outcomes and losses. One of the most striking lines — “All these city lights have really taken their toll” — becomes a precise metaphor for the experience of moving, which lies at the heart of the song. To mark the release of their first album, James joined MOSAICS at the launch party and also performed one of his new songs, “Angeles.” Discover the atmosphere of MOSAICS’ concert this Monday in a report by our founder, Asya Radko.
Cherepanov is a Ukrainian guitarist, songwriter, and one of the key figures in Kyiv’s alternative underground scene — a musician who doesn’t just play music, but builds an entire ecosystem around it. From early inspiration Pet Shop Boys to founding bands, organizing concerts for international acts, and running the iconic Kyiv based art-space “Tepliy Lampoviy,” his journey reflects a deep commitment to creative freedom and community. As a member of Spokusy and Aghiazma, and the mind behind numerous cultural initiatives, he continues to shape the sound and spirit of a new Ukrainian wave — raw, emotional, and unapologetically independent. In this interview, Cherepanov speaks about his musical beginnings, balancing multiple projects, creating during wartime, and why his entire creative path can be summed up in one word: afterparty.