×
Today, 00:58
Drive Music Media
  Views: 115

Olga Bolotaeva: From Cover Songs to Golden Time Talent

Olga Bolotaeva is a Ukrainian singer-songwriter whose main professional background was in the field of economics, but her love for music never left her. It all began with cover songs, and over time she wrote her first original song.

A key milestone in her career was participating in the British talent competition Golden Time Talent. Olga shared insights about her work in economics, her first song, and her experience with Golden Time Talent with Drive Music Media.

Interviewer: How and when did your journey in music begin? What draws you to this field?

Olga: My journey in music began in childhood — with my first attempts to sing for myself and for those close to me.

Music has always been a space where I could be honest, vulnerable, and true. Over time, I realized that through sound and words, I could express my feelings and thoughts most fully.

Interviewer: You spent a long time in another field — economics. How difficult was it to follow your heart?

Olga: It wasn’t easy. Economics offered stability, clear boundaries, and predictability. Music, on the other hand, is full of risk and uncertainty. The hardest part was allowing myself to choose what felt true rather than what seemed “right.” Over time, my inner voice became louder than my fear, and I realized that otherwise, I would simply stop being myself.

Interviewer: Tell us about your first original song. When did you feel ready to create your own music?

Olga: My first original song was born very sincerely, even naively. At some point, I realized that performing other people’s stories was no longer enough — there was too much personal experience inside me. Readiness didn’t come from confidence but from a need to express myself. It was a moment of honesty with myself.

Interviewer: Tell us about participating in Golden Time Talent. What was the most difficult and the easiest part?

Olga: The most difficult part was managing nerves and responsibility — the stage always exposes you. The easiest part, surprisingly, was simply being myself. This project became an important step in accepting myself as a singer and artist and confirmed that I am in the right place.

Interviewer: Is there a song that will never see the light of day? Why?

Olga: There are songs that are too personal. They were written not for the audience, but for healing. Such compositions stay with me — like a diary that wasn’t meant to be shared.

Interviewer: What projects are you working on right now?

Olga: Currently, I am actively working on a new original song, experimenting with sounds and lyrics. I am also focusing on live performances and collaborations, which allow me to explore new facets of myself.

Interviewer: Which of your songs holds a special meaning for you? Why?

Olga: The song that is most special to me is Piu cie poi, in which I fully accepted myself for the first time. It became a turning point within me and a symbol of personal freedom.

Interviewer: Tell us about live performances. What kinds of situations do you face during concerts?

Olga: Live performances are always unpredictable: technical issues, the audience’s emotional reactions, and your own state of mind. But that’s exactly the magic — a genuine connection with listeners that cannot be faked.

Interviewer: What mission do you carry as a singer and songwriter? Why this particular mission?

Olga: My mission is to help people feel and not fear their emotions through music. I believe that sincerity heals, and music can be a source of support in many different moments of life.

Interviewer: Which word do you associate with your own music? Why that word?

Olga: I associate my music with the word honesty. Because there are no roles or masks in it — only real emotions and true stories.

The interview was written by Asya Radko. Pictures were provided by Olga Bolotaeva 

21 January, 00:40
Drive Music Media

MJ Kim is a photographer who believes that the most important thing in portrait photography is for people to be truly seen; that landscapes should be more than just a beautiful visual — they should convey atmosphere; and that concert shots should evoke new feelings every time and remain unique. For him, photography is about living moments. Not about perfection, but about that very frame he captures during the many years of touring with Paul McCartney — even when it’s the completely unglamorous view from a hotel window. In portrait photography, it always starts with a conversation — with contact and presence. Only then does everything become real. MJ Kim has been Paul McCartney’s personal photographer since 2008 and recently returned from McCartney’s months-long Get Back 2025 tour across North America. He has created profound portraits of Johnny Depp, Michael Jackson, Natalie Portman, and many others, and has documented key moments that have become part of music history. His path in photography began by chance. He simply needed a job — and became a photojournalist in London. That decision became a turning point, the very accident that shaped his future and led him to who he is today. About how he senses “the moment,” the hardest and most important part of touring with Paul McCartney, his project Rooms Without A View, and the mission he carries as a photographer — shared with Asya Radko, founder of Drive Music Media.

Read more

25 December, 14:50
Drive Music Media

Hugo Nicolau is a Portuguese actor, photojournalist, and musician who played the lead role in the profound social short film Avenue to Nowhere, directed by Jacob Migicovsky — a project that became deeply personal and significant for him. This year, Hugo also appeared as a Maître D’ in Johnny Depp’s second directorial film, Modi: Three Days on the Wing of Madness, and attended three major premieres: the world premiere at the San Sebastián Film Festival, the UK premiere in London, and the North American premiere in Los Angeles. Hugo’s creative journey began with music — from classical piano training to performing in successful rock bands such as Slave and Mary Me. Among all artistic disciplines, music has remained the one constant in his life. His path then led him from studying economics to the media field — specifically photojournalism, where he worked with a strong ethical focus on respecting personal boundaries and developed a sharp eye for detail. Photography became Hugo’s second great love and an essential foundation for his artistic sensitivity. Acting entered his life unexpectedly in 2001 and has remained with him ever since, gradually becoming a central part of his creative identity. All the disciplines he has been involved in have shaped and enriched his work as an actor, helping him bring his characters to life on screen. About the role of music in his life, his work as a photojournalist for the Portuguese newspaper O Comércio do Porto, and his approach to choosing roles, Hugo opens up in conversation with Asya Radko, founder of Drive Music Media.

Read more